Song Dong: Dad and Mom, Don't Worry About Us, We Are All Well
Text by Betti-Sue Hertz, David Elliott, Li Xianting, Ou Ning, Wu Hung.
The videos and photographs of Song Dong (born 1966) reveal the social implications of China's booming modernity, and the artist's own attempts to reconcile that boom with its spiritual traditions and its effects on members of his family. Dad and Mom, Don't Worry About Us, We Are All Well is based around a much heralded large-scale installation titled “Waste Not” (2005), comprised of over 10,000 items ranging from pots and basins to blankets, bottle caps, toothpaste tubes and stuffed animals collected by the artist's mother over the course of more than five decades as a way of coping with the death of her husband. A core theme of “Waste Not” is the idea that people, everyday objects and personal stories provide tangible evidence of the impact of politics and history on family life. This volume surveys several works on this theme of material and bodily evidence.
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
 
Distributed by D.A.P.
FORMAT: Hbk, 9 x 11.75 in. / 144 pgs / illustrated throughout. LIST PRICE: U.S. $35.00 LIST PRICE: CANADA $40 ISBN: 9780982678923 PUBLISHER: Yerba Buena Center for the Arts AVAILABLE: 7/31/2011 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: WORLD
Song Dong: Dad and Mom, Don't Worry About Us, We Are All Well
Published by Yerba Buena Center for the Arts. Text by Betti-Sue Hertz, David Elliott, Li Xianting, Ou Ning, Wu Hung.
The videos and photographs of Song Dong (born 1966) reveal the social implications of China's booming modernity, and the artist's own attempts to reconcile that boom with its spiritual traditions and its effects on members of his family. Dad and Mom, Don't Worry About Us, We Are All Well is based around a much heralded large-scale installation titled “Waste Not” (2005), comprised of over 10,000 items ranging from pots and basins to blankets, bottle caps, toothpaste tubes and stuffed animals collected by the artist's mother over the course of more than five decades as a way of coping with the death of her husband. A core theme of “Waste Not” is the idea that people, everyday objects and personal stories provide tangible evidence of the impact of politics and history on family life. This volume surveys several works on this theme of material and bodily evidence.