Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019!
Carlos Cruz-Diez in Conversation with Ariel Jiménez
A leading practitioner of Kinetic and Op art, and one of Latin America's foremost artists, the Venezuelan artist Carlos Cruz-Diez (born 1923) traveled in western Europe throughout the 1950s, absorbing Bauhaus color theory and trends in geometric abstraction, and returned to Venezuela in 1957 to help initiate the massive wave of experiment in abstract, Concrete, Op and Kinetic art that art history outside of Latin America is only just beginning to catch up with. Jesus Soto and Alejandro Otero were among Cruz-Diez's immediate contemporaries, and all three shared a concern with interplays between color and perception, which Cruz-Diez has continued to pursue in installations, environments and public sculptures. For this latest volume in the Fundación Cisneros' Conversations/Conversaciones series, Ariel Jiménez interviews Cruz-Diez about his art and career, which spans some of the most exciting transformations in the history of Latin American art.
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FORMAT: Hbk, 6 x 9.25 in. / 248 pgs / 64 color / 30 b&w. LIST PRICE: U.S. $25.00 LIST PRICE: CANADA $34.5 GBP £22.00 ISBN: 9780982354421 PUBLISHER: Fundación Cisneros/Colección Patricia Phelps de Cisneros AVAILABLE: 9/30/2010 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of stock indefinitely AVAILABILITY: Not available TERRITORY: WORLD
Carlos Cruz-Diez in Conversation with Ariel Jiménez
Published by Fundación Cisneros/Colección Patricia Phelps de Cisneros.
A leading practitioner of Kinetic and Op art, and one of Latin America's foremost artists, the Venezuelan artist Carlos Cruz-Diez (born 1923) traveled in western Europe throughout the 1950s, absorbing Bauhaus color theory and trends in geometric abstraction, and returned to Venezuela in 1957 to help initiate the massive wave of experiment in abstract, Concrete, Op and Kinetic art that art history outside of Latin America is only just beginning to catch up with. Jesus Soto and Alejandro Otero were among Cruz-Diez's immediate contemporaries, and all three shared a concern with interplays between color and perception, which Cruz-Diez has continued to pursue in installations, environments and public sculptures. For this latest volume in the Fundación Cisneros' Conversations/Conversaciones series, Ariel Jiménez interviews Cruz-Diez about his art and career, which spans some of the most exciting transformations in the history of Latin American art.
