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| |   |   | PAUL KASMIN GALLERYTseng Kwong Chi: Self Portraits 1979-1989Text by Dan Cameron, Kenny Scharf, Muna Tseng, Lilly Wei.
This handsome volume features 100 works from Tseng Kwong Chi's pioneering series of large-scale black-and-white self-portraits, produced from 1979 to 1989, many of which have never been published. The son of exiled Chinese nationalists, Kwong Chi was part of a 1980s New York circle that included Keith Haring, Kenny Scharf and Cindy Sherman. His ironic portraits of himself posed in a Mao suit--with a visitor badge reading SLUTFORART in front of American tourist destinations--found their way to Communist China through Western magazines smuggled into the country in the 1980s, greatly influencing China's avant-garde. Ann Magnuson, a ubiquitous downtown performer in the 80s, mused, "Just who is this visitor from that forbidden land, who is both tasting the fruits of American freedom and slyly satirizing our home of the brave?"
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FORMAT: Hbk, 10.75 x 10.75 in. / 128 pgs / 100 b&w. LIST PRICE: U.S. $80.00 LIST PRICE: CANADA $95 ISBN: 9780979416453 PUBLISHER: Paul Kasmin Gallery AVAILABLE: 2/1/2009 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2009 Page 70 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Tseng Kwong Chi: Self Portraits 1979-1989 Published by Paul Kasmin Gallery. Text by Dan Cameron, Kenny Scharf, Muna Tseng, Lilly Wei. This handsome volume features 100 works from Tseng Kwong Chi's pioneering series of large-scale black-and-white self-portraits, produced from 1979 to 1989, many of which have never been published. The son of exiled Chinese nationalists, Kwong Chi was part of a 1980s New York circle that included Keith Haring, Kenny Scharf and Cindy Sherman. His ironic portraits of himself posed in a Mao suit--with a visitor badge reading SLUTFORART in front of American tourist destinations--found their way to Communist China through Western magazines smuggled into the country in the 1980s, greatly influencing China's avant-garde. Ann Magnuson, a ubiquitous downtown performer in the 80s, mused, "Just who is this visitor from that forbidden land, who is both tasting the fruits of American freedom and slyly satirizing our home of the brave?"
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