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Hardcover, 8 x 10 in. / 72 pgs / 80 color. PUBLISHING STATUS
Pub Date 5/1/2008
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Catalog: SPRING 2008 p. 80 PRODUCT DETAILS
ISBN 9780977802852 TRADE
List Price: $24.95 CDN $27.50 GBP £22.00 AVAILABILITY
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| | | Chantal Akerman: Moving Through Time and SpaceEdited by Terrie Sultan. Preface and Acknowledgments by Paul Ha, Jane Farver, Rina Carvajal, Terrie Sultan. Texts by Claudia Schmuckli, William Arning, Klaus Ottmann, Rina Carvajal, Terrie Sultan.
Since 1968, Brussels-born, Paris-based Chantal Akerman has produced over 50 film and video works, in the genres of documentary and French New Wave-inspired fictional narrative. She is one of the foremost auteur-directors working today, yet she has never had a solo museum exhibition in the United States, nor has there been significant scholarly inquiry into her body of work. Her early experiments with Structuralist, Marxist and Feminist filmmaking have expanded what is possible in film today. Asserting Akerman's contribution to the genre, this volume introduces her work to those who have not had a chance to see it firsthand. With interpretive and anecdotal commentary on Akerman's oeuvre, the documentary films covered here have not been explored elsewhere.
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FORMAT: Hardcover, 8 x 10 in. / 72 pgs / 80 color.
LIST PRICE: U.S. $24.95
LIST PRICE: CANADA $27.5
GBP £22.00
ISBN: 9780977802852
PUBLISHER: Blaffer Gallery, The Art Museum of the Univeristy of Houston
AVAILABLE: 5/1/2008
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| Chantal Akerman: Moving Through Time and Space Published by Blaffer Gallery, The Art Museum of the Univeristy of Houston.
Edited by Terrie Sultan. Preface and Acknowledgments by Paul Ha, Jane Farver, Rina Carvajal, Terrie Sultan. Texts by Claudia Schmuckli, William Arning, Klaus Ottmann, Rina Carvajal, Terrie Sultan. | Since 1968, Brussels-born, Paris-based Chantal Akerman has produced over 50 film and video works, in the genres of documentary and French New Wave-inspired fictional narrative. She is one of the foremost auteur-directors working today, yet she has never had a solo museum exhibition in the United States, nor has there been significant scholarly inquiry into her body of work. Her early experiments with Structuralist, Marxist and Feminist filmmaking have expanded what is possible in film today. Asserting Akerman's contribution to the genre, this volume introduces her work to those who have not had a chance to see it firsthand. With interpretive and anecdotal commentary on Akerman's oeuvre, the documentary films covered here have not been explored elsewhere.
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