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| | PUBLISHER
Rubell Family CollectionBOOK FORMAT
Hardback, 7 x 9.5 in. / 154 pgs / 72 color / 25 bw. PUBLISHING STATUS
Pub Date 7/1/2008
Out of stock indefinitely DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2008 p. 128 PRODUCT DETAILS
ISBN 9780971634190 TRADE
List Price: $30.00 CDN $40.00 GBP £27.00 AVAILABILITY
Not available | TERRITORY
WORLD | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | RUBELL FAMILY COLLECTIONEberhard Havekost 1996-2006Paintings from the Rubell Family CollectionText by Mark Coetzee, Meghan Dailey, Ulrich Loock.
The work of German artist Eberhard Havekost critiques the proverbial dialogue between painting and photography by establishing a visual language that hovers in the grey space between the two. What is at once apparent in the juxtaposition of these two seemingly disparate media in Havekost's hands is their mutual dependence--despite their differences. Working from personal photographs and found images, Havekost presents iconography that is familiar to all urban and suburban dwellers: bland Modernist structures, featureless landscapes and images of actual and impending violence. The significance of his work lies not in its subject matter, however, but in its execution. His creations are original works, made by hand, but by digital processes too. Published on the occasion of Havekost's first museum showing in the United States.
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|  | STATUS: Out of stock indefinitely. | |
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FORMAT: Hardback, 7 x 9.5 in. / 154 pgs / 72 color / 25 b&w.
LIST PRICE: U.S. $30.00
LIST PRICE: CANADA $40
GBP £27.00
ISBN: 9780971634190
PUBLISHER: Rubell Family Collection
AVAILABLE: 7/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
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| Eberhard Havekost 1996-2006
Paintings from the Rubell Family Collection Published by Rubell Family Collection.
Text by Mark Coetzee, Meghan Dailey, Ulrich Loock. The work of German artist Eberhard Havekost critiques the proverbial dialogue between painting and photography by establishing a visual language that hovers in the grey space between the two. What is at once apparent in the juxtaposition of these two seemingly disparate media in Havekost's hands is their mutual dependence--despite their differences. Working from personal photographs and found images, Havekost presents iconography that is familiar to all urban and suburban dwellers: bland Modernist structures, featureless landscapes and images of actual and impending violence. The significance of his work lies not in its subject matter, however, but in its execution. His creations are original works, made by hand, but by digital processes too. Published on the occasion of Havekost's first museum showing in the United States.
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