Moyra Davey’s artist’s book meditation on late 20th-century Quebec, through the lens of James Baldwin and others
Over the past 40 years, Canadian artist Moyra Davey (born 1958) has perfected a unique synthesis of photography, film and text to critically engage with the past, present and future of the world around her. Based on Davey’s eponymous 2019 film, I Confess unites three main sources in a chronicle of late 20th-century Quebec, shaped by themes of race, poverty, language and nationalism. Using American writer James Baldwin’s 1962 novel Another Country as its point of departure, Davey’s film also focuses on the life and work of Québécois revolutionary Pierre Vallières and Ottawa-based political philosopher Dalie Giroux.
Published to accompany the exhibition Moyra Davey: The Faithful at the National Gallery of Canada, this deeply personal and highly political book seeks to examine an unresolved chapter of Québécois history from a uniquely interdisciplinary perspective that draws attention to contemporary issues of separatism, while reflecting the artist's understanding of photography and text as unique corollaries. This publication features writings by the artist, Dalie Giroux and National Gallery of Canada’s Associate Curator Andrea Kunard, and a poster insert.
Featured image is reproduced from 'Moyra Davey: I Confess.'
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FORMAT: Pbk, 6.75 x 9.5 in. / 168 pgs / 70 color / 21 b&w. LIST PRICE: U.S. $29.95 LIST PRICE: CANADA $41.95 GBP £27.00 ISBN: 9780888849960 PUBLISHER: Dancing Foxes Press/National Gallery of Canada AVAILABLE: 9/15/2020 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Moyra Davey’s artist’s book meditation on late 20th-century Quebec, through the lens of James Baldwin and others
Published by Dancing Foxes Press/National Gallery of Canada. Text by Moyra Davey, Dalie Giroux, Andrea Kunard.
Over the past 40 years, Canadian artist Moyra Davey (born 1958) has perfected a unique synthesis of photography, film and text to critically engage with the past, present and future of the world around her. Based on Davey’s eponymous 2019 film, I Confess unites three main sources in a chronicle of late 20th-century Quebec, shaped by themes of race, poverty, language and nationalism. Using American writer James Baldwin’s 1962 novel Another Country as its point of departure, Davey’s film also focuses on the life and work of Québécois revolutionary Pierre Vallières and Ottawa-based political philosopher Dalie Giroux.
Published to accompany the exhibition Moyra Davey: The Faithful at the National Gallery of Canada, this deeply personal and highly political book seeks to examine an unresolved chapter of Québécois history from a uniquely interdisciplinary perspective that draws attention to contemporary issues of separatism, while reflecting the artist's understanding of photography and text as unique corollaries. This publication features writings by the artist, Dalie Giroux and National Gallery of Canada’s Associate Curator Andrea Kunard, and a poster insert.
