| | BOOK FORMAT
Paperback, 11 x 11 in. / 102 pgs / 24 color and 40 bw. PUBLISHING STATUS
Pub Date 8/15/2006
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2006 p. 115 PRODUCT DETAILS
ISBN 9788889431597 TRADE
List Price: $28.00 CAD $32.50 AVAILABILITY
Not available | TERRITORY
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| | | Sol LeWitt: Wall DrawingsEssay by Giovanni Maria Accame. Essay by Ester Coen.
Sol LeWitt, who once worked as a draftsman for I. M. Pei, has said of his own directions for drawings executed by collaborators that, "The contribution brought by the draftsman may not be predicted by the artist, even when the artist is also the draftsman." This separation of the plan, the written score for a work, from its execution and the finished piece lies at the center of the work for which LeWitt is best known, whose execution he entrusts to strangers. Wall Drawings tracks the creation of one recent work, beginning with the plan, so spare that it looks as though it might have arrived at the gallery by fax, and continuing through to a schematic drawing on the wall, then figures on stepladders drawing intently, their faces clear but their pencils blurred. Close-ups of their scribbles and images of the completed work are followed by a picture of the triumphant cast, a curtain call.
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FORMAT: Paperback, 11 x 11 in. / 102 pgs / 24 color and 40 b&w.
LIST PRICE: U.S. $28.00
LIST PRICE: CANADA $32.5
ISBN: 9788889431597
PUBLISHER: Damiani
AVAILABLE: 8/15/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: FALL 2006 Page 115 | PRESS INQUIRIES
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| Sol LeWitt: Wall Drawings Published by Damiani.
Essay by Giovanni Maria Accame. Essay by Ester Coen. Sol LeWitt, who once worked as a draftsman for I. M. Pei, has said of his own directions for drawings executed by collaborators that, "The contribution brought by the draftsman may not be predicted by the artist, even when the artist is also the draftsman." This separation of the plan, the written score for a work, from its execution and the finished piece lies at the center of the work for which LeWitt is best known, whose execution he entrusts to strangers. Wall Drawings tracks the creation of one recent work, beginning with the plan, so spare that it looks as though it might have arrived at the gallery by fax, and continuing through to a schematic drawing on the wall, then figures on stepladders drawing intently, their faces clear but their pencils blurred. Close-ups of their scribbles and images of the completed work are followed by a picture of the triumphant cast, a curtain call.
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