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| | PUBLISHER Charta/LissonBOOK FORMAT Paperback, 11 x 11 in. / 210 pgs / 133 color / 5 bw. PUBLISHING STATUS Pub Date 7/2/2004 No longer our product DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2004 PRODUCT DETAILS ISBN 9788881584833 TRADE List Price: $55.00 CAD $65.00 AVAILABILITY Not available | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | CHARTA/LISSONJason MartinEssays by Norman Rosenthal and Andrew Renton.
Jason Martin's work is best described through its method of production: partly expressive and partly minimal, he uses his bodily movement to implement deep set fissures from one side of the canvas to the other in a continuous trail, letting unpredictable events unfold in the spatial and rhythmical regularity of the painting. Though the paintings' creation is strongly based on the methodology of approach, Martin seeks validation for his work from a more poetic instinct, allowing the viewer to form associations, directed by the form, texture and color of the work. The flow and varying intensity create a character indigenous to each piece, animating the tradition of monochrome and color field painting that stretches from Kasimir Malevich to Robert Ryman.
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| | | | | | KerberISBN: 9783866781115 USD $65.00 | CAD $87Pub Date: 3/1/2009 Active | Out of stock
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FORMAT: Paperback, 11 x 11 in. / 210 pgs / 133 color / 5 b&w. LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $65 ISBN: 9788881584833 PUBLISHER: Charta/Lisson AVAILABLE: 7/2/2004 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: No longer our product AVAILABILITY: Not available
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| Jason Martin Published by Charta/Lisson. Essays by Norman Rosenthal and Andrew Renton. Jason Martin's work is best described through its method of production: partly expressive and partly minimal, he uses his bodily movement to implement deep set fissures from one side of the canvas to the other in a continuous trail, letting unpredictable events unfold in the spatial and rhythmical regularity of the painting. Though the paintings' creation is strongly based on the methodology of approach, Martin seeks validation for his work from a more poetic instinct, allowing the viewer to form associations, directed by the form, texture and color of the work. The flow and varying intensity create a character indigenous to each piece, animating the tradition of monochrome and color field painting that stretches from Kasimir Malevich to Robert Ryman.
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