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| | | | Juan Munoz: The Nature Of Visual IllusionEssays by Adrian Searle and Asa Nacking. Foreword by Steingrim Laursen.
Spanish artist Juan Munoz is well known for his installations and sculptures that often include architectural elements, human figures, and the like in which he takes into account the spatial elements of the exhibition space. This catalogue documents an exhibition of three separate but related installations at the Louisiana Museum of Modern Art in Denmark. Here, fabricated and painted human figures are scattered around the gallery in a variety of positions. In "Neal's Last Words" a figure is propped with his forehead against a mirror, perpetually staring at himself; in "Half-Circle," a group of laughing figures are arranged in an arc, and in "Many Times," there are 100 figures, all the same, arranged on a balcony in a variety of groupings. A traveling retrospective of Juan Munoz's work will open in the United States late in 2001.
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FORMAT: Paperback, 7.25 x 10 in. / 64 pgs / 20 b&w
LIST PRICE: U.S. $26.00
LIST PRICE: CANADA $30
ISBN: 9788790029456
PUBLISHER: Louisiana Museum of Modern Art
AVAILABLE: 11/2/2001
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: FALL 2001 | PRESS INQUIRIES
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| Juan Munoz: The Nature Of Visual Illusion Published by Louisiana Museum of Modern Art.
Essays by Adrian Searle and Asa Nacking. Foreword by Steingrim Laursen. Spanish artist Juan Munoz is well known for his installations and sculptures that often include architectural elements, human figures, and the like in which he takes into account the spatial elements of the exhibition space. This catalogue documents an exhibition of three separate but related installations at the Louisiana Museum of Modern Art in Denmark. Here, fabricated and painted human figures are scattered around the gallery in a variety of positions. In "Neal's Last Words" a figure is propped with his forehead against a mirror, perpetually staring at himself; in "Half-Circle," a group of laughing figures are arranged in an arc, and in "Many Times," there are 100 figures, all the same, arranged on a balcony in a variety of groupings. A traveling retrospective of Juan Munoz's work will open in the United States late in 2001.
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