Public Space, Two Audiences: Works and Documents from the Herbert Collection Published by Walther König, Köln.
Text by Diedrich Diederichsen, Manuel Borja-Villel, Anton Herbert, Hans-Joachim Muller, Peter Pakesch, Anne Rorimer. This beautiful, hefty catalogue of the most important works from one of the world's finest collections of Minimal, Arte Povera and Conceptual art includes work by Carl Andre, John Baldessari, Marcel Broodthaers, Hanne Darboven, Gilbert & George, Donald Judd, On Kawara, Mike Kelley, Martin Kippenberger, Joseph Kosuth, Sol LeWitt, Bruce Nauman, Gerhard Richter, Ed Ruscha, Robert Ryman, Robert Smithson and Lawrence Weiner, among others. In her essay, the esteemed independent curator and art historian Anne Rorimer writes, "Such is the breadth and depth of the Herbert Collection that an entire book on the art of the 1960s and 1970s could be written based on the many exemplary works included in it. As a group, works in the collection point to the revolutionary activity occurring at a time when long-held conventions associated with painting and sculpture were being questioned or overturned in the interest of aesthetic renewal. Each work, separately, speaks volumes about innovations in art production labeled by terms such as Minimal art, Arte Povera or Conceptual art. These terms, although by no means carved in stone, identify shared methods and goals pursued by artists on both sides of the Atlantic during the years leading up to and extending beyond 1968.
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