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Hardcover, 8 x 11.25 in. / 64 pgs / 40 color. PUBLISHING STATUS
Pub Date 9/15/2006
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Catalog: FALL 2006 p. 142 PRODUCT DETAILS
ISBN 9783905701531 TRADE
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In stock | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Valentin CarronEdited by Fabrice Stroun. Essays by Katya Garcia-Anton and Mai-Thu Perret.
This first monograph for a promising Swiss artist arrives during the year of his first New York and London solo shows. Carron's sculptures have been said to mark a renewal of appropriationist discourse. Neither authentic nor kitsch, readymade nor craft, these objects enjoy ambiguity (fake wood, bronze and concrete) and an iconography of power and authority (in traditional forms like public sculptures and commemorative monuments). Along with a group of new Swiss artists speeding through the early stages of critical recognition, including Andro Wekua, Vidya Gastaldon and Mai-Thu Perret, Carron's rise marks the emergence of a new Swiss scene.
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|  | Edited by Lionel Bovier. Text by Andrea Bellini, Christy Lange, Fabrice Stroun.JRP|RINGIERISBN: 9783037642047
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|  | Edited by Lionel Bovier. Text by Nicolas Pages.JRP|RINGIERISBN: 9783037640951
USD $45.00 | CAN $60Pub Date: 8/31/2010
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|  | Edited by Fabrice Stroun. Essays by Katya Garcia-Anton and Mai-Thu Perret.JRP|RINGIERISBN: 9783905701531
USD $29.00 | CAN $39.5Pub Date: 9/15/2006
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FORMAT: Hardcover, 8 x 11.25 in. / 64 pgs / 40 color.
LIST PRICE: U.S. $29.00
LIST PRICE: CANADA $39.5
ISBN: 9783905701531
PUBLISHER: JRP|Ringier
AVAILABLE: 9/15/2006
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RETAILER DISC: TRADE
PUBLISHING STATUS: Active
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| Valentin Carron Published by JRP|Ringier.
Edited by Fabrice Stroun. Essays by Katya Garcia-Anton and Mai-Thu Perret. | This first monograph for a promising Swiss artist arrives during the year of his first New York and London solo shows. Carron's sculptures have been said to mark a renewal of appropriationist discourse. Neither authentic nor kitsch, readymade nor craft, these objects enjoy ambiguity (fake wood, bronze and concrete) and an iconography of power and authority (in traditional forms like public sculptures and commemorative monuments). Along with a group of new Swiss artists speeding through the early stages of critical recognition, including Andro Wekua, Vidya Gastaldon and Mai-Thu Perret, Carron's rise marks the emergence of a new Swiss scene.
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