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Clothbound, 5.75 x 9 in. / 200 pgs / 100 color. PUBLISHING STATUS
Pub Date 8/15/2005
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Catalog: FALL 2005 p. 146 PRODUCT DETAILS
ISBN 9783905701173 TRADE
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| | | Mark HandforthEdited by and Interview by Mirjam Varadinis. Essay by Eric Troncy.
When Mark Handforth turns the lights down, he turns them down all the way to the ground. Lamppost, from 2003, is a massive industrial streetlight, originally 45 feet tall, that is folded in two places so that its five-armed light cluster rests on the ground; it's one of a series that recalls the work of Martin Kipperberger, who bent a few lampposts in his day. Handforth's practice, illuminated in this monograph, employs everyday urban objects like benches, street signs, and Vespas (in addition to street lights) and recontextualizes them so that we see them anew. Light infuses almost all his works, which also include fluorescent-tube stars and circles in bright colors, adding a little South Beach flava to a Flavin quote.
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| | | | |  | Edited by Ilaria Bonacossa. Text by Veronica Gonzales Pena, Mary Ceruti.SILVANA EDITORALEISBN: 9788836634811
USD $30.00 | CAN $40Pub Date: 2/28/2017
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FORMAT: Clothbound, 5.75 x 9 in. / 200 pgs / 100 color.
LIST PRICE: U.S. $29.00
LIST PRICE: CANADA $35
ISBN: 9783905701173
PUBLISHER: JRP|Ringier
AVAILABLE: 8/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
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TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: FALL 2005 Page 146 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Mark Handforth Published by JRP|Ringier.
Edited by and Interview by Mirjam Varadinis. Essay by Eric Troncy. | When Mark Handforth turns the lights down, he turns them down all the way to the ground. Lamppost, from 2003, is a massive industrial streetlight, originally 45 feet tall, that is folded in two places so that its five-armed light cluster rests on the ground; it's one of a series that recalls the work of Martin Kipperberger, who bent a few lampposts in his day. Handforth's practice, illuminated in this monograph, employs everyday urban objects like benches, street signs, and Vespas (in addition to street lights) and recontextualizes them so that we see them anew. Light infuses almost all his works, which also include fluorescent-tube stars and circles in bright colors, adding a little South Beach flava to a Flavin quote.
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