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| | PUBLISHER
Walther König, KölnBOOK FORMAT
Paperback, 9 x 11.25 in. / 136 pgs / 64 color / 5 bw. PUBLISHING STATUS
Pub Date 6/15/2004
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2005 p. 138 PRODUCT DETAILS
ISBN 9783883758114 SDNR30
List Price: $40.00 CDN $50.00 AVAILABILITY
Not available | TERRITORY
NA LA ASIA AFR | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | WALTHER KöNIG, KöLNVera Lutter: Inside InEssays by Adam Budak, Lynne Cooke, Peter Pakesch and Stephan Schmidt-Wulffen.
German artist Vera Lutter uses a camera obscura, the most basic photographic device, to produce large-scale, somewhat nostalgic images that transcribe immense architectural spaces. Her process is far removed from our age of digital image manipulation and enlargement. This book presents the first major European exhibition of Lutter's work and covers a wide range of her output, from early photos taken in 1994 in urban New York, to unusual studies of industrial estates such as the Friedrichshafen and Frankfurt Airport series.
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FORMAT: Paperback, 9 x 11.25 in. / 136 pgs / 64 color / 5 b&w.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $50
ISBN: 9783883758114
PUBLISHER: Walther König, Köln
AVAILABLE: 6/15/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: SDNR30
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: SPRING 2005 Page 138 | PRESS INQUIRIES
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| Vera Lutter: Inside In Published by Walther König, Köln.
Essays by Adam Budak, Lynne Cooke, Peter Pakesch and Stephan Schmidt-Wulffen. German artist Vera Lutter uses a camera obscura, the most basic photographic device, to produce large-scale, somewhat nostalgic images that transcribe immense architectural spaces. Her process is far removed from our age of digital image manipulation and enlargement. This book presents the first major European exhibition of Lutter's work and covers a wide range of her output, from early photos taken in 1994 in urban New York, to unusual studies of industrial estates such as the Friedrichshafen and Frankfurt Airport series.
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