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Walther König, KölnBOOK FORMAT
Paperback, 8 x 11 in. / 216 pgs / 200 color / 200 bw. PUBLISHING STATUS
Pub Date 5/2/2004
Out of print DISTRIBUTION
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Catalog: FALL 2004 PRODUCT DETAILS
ISBN 9783883757612 SDNR30
List Price: $55.00 CDN $65.00 AVAILABILITY
Not available | | BROWSE THE 2020 SPRING CATALOG  Preview our Spring 2020 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | WALTHER KöNIG, KöLNX-ScreenFilm Installations and Actions in the 1960s and 1970sEssays by Eric de Bruyn, Pamela Lee, Branden Joseph, Liz Kotz, and Matthias Michalka. Preface by Edelbert Kàb. Interviews by Maxa Zoller, Malcolm LeGrice, Gabriele Jutz, Birgit Hein, and Sabeth Buchmann.
For several years now, film and video have determined contemporary art and exhibitions on a scale unheard of since the 1960s and 1970s, but rarely have these roots themselves been explored. X-Screen presents a comprehensive historical analysis of expanded forms of filmic projection, arranging a complex constellation of films, performances, and installations according to three categories. First is an exploration of the expansion of the field of projection, understood as part of Happenings, as well as Fluxus and Pop performances. Work by Robert Whitman, Carolee Schneemann, and USCO is discussed. Second is an interrogation of the screen in terms of media analysis, anti-illusionism, or institutional critique in the context of Structural Film and Conceptual art. Film installations and multiple projections are especially relevant here, including work by Valie Export, Michael Snow, and Peter Weibel. And third is a consideration of post-minimalist explorations of the relationship between the media image and physical space, as seen in the work of Dan Graham, Bruce Nauman, Dennis Oppenheim, and others.
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USD $65.00 | CAN $85Pub Date: 2/21/2017
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USD $55.00 | CAN $70Pub Date: 5/19/2015
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|  | Edited by Gunnar B. Kvaran, Hanne Beate Ueland, Grete Arbu.SKIRAISBN: 9788861307926
USD $45.00 | CAN $57.5Pub Date: 4/14/2009
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|  | Edited by Dia Al-Azzawi. Text by Charles Pocock, Samar Faruqi.SKIRAISBN: 9788857211572
USD $85.00 | CAN $105Pub Date: 5/15/2012
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|  | By Lea Vergine.SKIRAISBN: 9788881187409
USD $29.95 | CAN $37.5Pub Date: 7/1/2001
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|  | By Eric Ellingsen.LARS MüLLER PUBLISHERSISBN: 9783037784655
USD $50.00 | CAN $67.5Pub Date: 12/15/2015
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USD $55.00 | CAN $70Pub Date: 6/21/2016
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USD $45.00 | CAN $57.5Pub Date: 10/24/2017
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|  | INVENTORY PRESS / KOENIG BOOKSISBN: 9781941753064
USD $49.95 | CAN $67.5Pub Date: 7/1/2015
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|  | INVENTORY PRESSISBN: 9781941753026
USD $28.00 | CAN $38.5 UK £ 25Pub Date: 11/1/2014
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|  | By Ingrid Beazley.HENI PUBLISHINGISBN: 9780956404190
USD $64.95 | CAN $87Pub Date: 8/15/2014
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| | By Ingrid Beazley.HENI PUBLISHINGISBN: 9780956404190
USD $64.95 | CAN $87Pub Date: 8/15/2014
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FORMAT: Paperback, 8 x 11 in. / 216 pgs / 200 color / 200 b&w.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $65
ISBN: 9783883757612
PUBLISHER: Walther König, Köln
AVAILABLE: 5/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: SDNR30
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| X-Screen
Film Installations and Actions in the 1960s and 1970s Published by Walther König, Köln.
Essays by Eric de Bruyn, Pamela Lee, Branden Joseph, Liz Kotz, and Matthias Michalka. Preface by Edelbert Kàb. Interviews by Maxa Zoller, Malcolm LeGrice, Gabriele Jutz, Birgit Hein, and Sabeth Buchmann. | For several years now, film and video have determined contemporary art and exhibitions on a scale unheard of since the 1960s and 1970s, but rarely have these roots themselves been explored. X-Screen presents a comprehensive historical analysis of expanded forms of filmic projection, arranging a complex constellation of films, performances, and installations according to three categories. First is an exploration of the expansion of the field of projection, understood as part of Happenings, as well as Fluxus and Pop performances. Work by Robert Whitman, Carolee Schneemann, and USCO is discussed. Second is an interrogation of the screen in terms of media analysis, anti-illusionism, or institutional critique in the context of Structural Film and Conceptual art. Film installations and multiple projections are especially relevant here, including work by Valie Export, Michael Snow, and Peter Weibel. And third is a consideration of post-minimalist explorations of the relationship between the media image and physical space, as seen in the work of Dan Graham, Bruce Nauman, Dennis Oppenheim, and others.
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