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| | PUBLISHER
Walther König, KölnBOOK FORMAT
Hardcover, 10 x 12.75 in. / 196 pgs / 100 color / 220 bw. PUBLISHING STATUS
Pub Date 8/2/2003
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2004 PRODUCT DETAILS
ISBN 9783883756882 SDNR30
List Price: $55.00 CDN $65.00 AVAILABILITY
Not available | TERRITORY
NA LA ASIA AFR | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | WALTHER KöNIG, KöLNIsa Genzken: Catalogue Raisonné 1992-2003Edited by Veit Loers and Beatrix Ruf. Essays by Diedrich Diederichsen, Vanessa Joan Müller and Josef Strau.
In the 25 years since she has been active as an artist, Isa Genzken has created a wide-ranging, multi-faceted body of work. From her inhospitable, ruin-like concrete sculptures to the uncannily fragile and wondrously beautiful New Buildings for Berlin (seen at Documenta11), she has acknowledged modernism as both model and loss. With large-format exhibition pictures, essays, and a detailed catalogue raisonnŞ.
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| | | | |  | Walther König, KölnISBN: 9783863357764
USD $65.00 | CAN $87Pub Date: 2/23/2016
Active | Out of stock
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|  | DuMontISBN: 9783832177973
USD $59.95 | CAN $79Pub Date: 2/28/2010
Active | In stock
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FORMAT: Hardcover, 10 x 12.75 in. / 196 pgs / 100 color / 220 b&w.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $65
ISBN: 9783883756882
PUBLISHER: Walther König, Köln
AVAILABLE: 8/2/2003
DISTRIBUTION: D.A.P.
RETAILER DISC: SDNR30
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: SPRING 2004 | PRESS INQUIRIES
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| Isa Genzken: Catalogue Raisonné 1992-2003 Published by Walther König, Köln.
Edited by Veit Loers and Beatrix Ruf. Essays by Diedrich Diederichsen, Vanessa Joan Müller and Josef Strau. In the 25 years since she has been active as an artist, Isa Genzken has created a wide-ranging, multi-faceted body of work. From her inhospitable, ruin-like concrete sculptures to the uncannily fragile and wondrously beautiful New Buildings for Berlin (seen at Documenta11), she has acknowledged modernism as both model and loss. With large-format exhibition pictures, essays, and a detailed catalogue raisonnŞ.
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