| | PUBLISHER
Walther König, KölnBOOK FORMAT
Hardcover, 9.75 x 6.75 in. / 168 pgs / 67 color. PUBLISHING STATUS
Pub Date 10/2/2002
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2003 PRODUCT DETAILS
ISBN 9783883755540 SDNR30
List Price: $30.00 CAD $35.00 AVAILABILITY
Not available | TERRITORY
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| | | WALTHER KöNIG, KöLNJourney Into FearA Screenplay by Stan Douglas and Michael TurnerBy Michael Turner. Artwork by Stan Douglas. Contributions by Achim Borchardt-Hume. Text by Julia Peyton-Jones.
Intricate and emotive, Stan Douglas' film installations are concerned with complex psychological states such as collective memories, forgotten histories, and social alienation. His recent project Journey into Fear derives from two sources--the 1942 and 1975 films of the same name, and Melville's late novel The Confidence Man--and presents an endless array of possibilites, juxtaposing repetition and novelty, destroying conventional senses of time, and trapping the viewer in the haunting world of the film.
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USD $29.95 | CAD $41.95 UK £ 27Pub Date: 9/29/2020
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FORMAT: Hardcover, 9.75 x 6.75 in. / 168 pgs / 67 color.
LIST PRICE: U.S. $30.00
LIST PRICE: CANADA $35
ISBN: 9783883755540
PUBLISHER: Walther König, Köln
AVAILABLE: 10/2/2002
DISTRIBUTION: D.A.P.
RETAILER DISC: SDNR30
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: SPRING 2003 | PRESS INQUIRIES
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| Journey Into Fear
A Screenplay by Stan Douglas and Michael Turner Published by Walther König, Köln.
By Michael Turner. Artwork by Stan Douglas. Contributions by Achim Borchardt-Hume. Text by Julia Peyton-Jones. Intricate and emotive, Stan Douglas' film installations are concerned with complex psychological states such as collective memories, forgotten histories, and social alienation. His recent project Journey into Fear derives from two sources--the 1942 and 1975 films of the same name, and Melville's late novel The Confidence Man--and presents an endless array of possibilites, juxtaposing repetition and novelty, destroying conventional senses of time, and trapping the viewer in the haunting world of the film.
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