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| | | | Oleg Kulik: Nothing Inhuman Is Alien To MeEdited by Alexandra Obukhova. Text by Mila Bredikhina.
This 368-page monograph is the first substantial publication in 15 years to take on Russia's most famous performance artist, Oleg Kulik. Also a sculptor and curator, Kulik is most renowned for his disconcerting performances as a dog. Art in America reviewed his 1997 solo exhibition at New York's Deitch Projects thus: ""On a sunny afternoon, Oleg Kulik emerged from the dark cage where he had spent the preceding two weeks on public view, living a dog's life in a gallery. Naked except for a studded leather collar, he had romped on hands and knees, eaten from bowls, slept on a mat and uttered only guttural growlsÖ Kulik's past performances as a dog include a turn as Pavlov's pet in a laboratory where he was subjected to the sort of behavioral experiments routinely endured by lab animals. Most notorious was a Stockholm exhibition in which Kulik bit several visitors (including an art critic), leading to his arrest at the request of the curator.
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| | | | |  | KERBERISBN: 9783866787698
USD $60.00 | CAN $79Pub Date: 9/30/2013
Active | Out of stock
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|  | KERBERISBN: 9783866780453
USD $65.00 | CAN $87Pub Date: 7/1/2007
Active | In stock
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FORMAT: Paperback, 8.75 x 11.25 in. / 368 pgs / 290 color / 170 b&w.
LIST PRICE: U.S. $65.00
LIST PRICE: CANADA $87
ISBN: 9783866780453
PUBLISHER: Kerber
AVAILABLE: 7/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA ME | D.A.P. CATALOG: FALL 2007 Page 148 | PRESS INQUIRIES
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| Oleg Kulik: Nothing Inhuman Is Alien To Me Published by Kerber.
Edited by Alexandra Obukhova. Text by Mila Bredikhina. This 368-page monograph is the first substantial publication in 15 years to take on Russia's most famous performance artist, Oleg Kulik. Also a sculptor and curator, Kulik is most renowned for his disconcerting performances as a dog. Art in America reviewed his 1997 solo exhibition at New York's Deitch Projects thus: ""On a sunny afternoon, Oleg Kulik emerged from the dark cage where he had spent the preceding two weeks on public view, living a dog's life in a gallery. Naked except for a studded leather collar, he had romped on hands and knees, eaten from bowls, slept on a mat and uttered only guttural growlsÖ Kulik's past performances as a dog include a turn as Pavlov's pet in a laboratory where he was subjected to the sort of behavioral experiments routinely endured by lab animals. Most notorious was a Stockholm exhibition in which Kulik bit several visitors (including an art critic), leading to his arrest at the request of the curator.
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