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| | PUBLISHER
Kunsthaus BregenzBOOK FORMAT
Hardcover, 9.75 x 11.25 in. / 160 pgs / 120 color. PUBLISHING STATUS
Pub Date 6/1/2007
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2007 p. 87 PRODUCT DETAILS
ISBN 9783865601810 TRADE
List Price: $62.00 CDN $75.00 AVAILABILITY
Not available | EXHIBITION SCHEDULEBregenz
Kunsthaus Bregenz, 2/17/07-5/20/07 | | BROWSE THE 2022 FALL CATALOG  | Preview our Fall 2022 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | KUNSTHAUS BREGENZRe-ObjectEdited and with foreword by Eckhard Schneider. Text by Sebastian Egenhofer, John Gray, Herbert Molderings.
Urinals, vacuum cleaners, basketballs, glass sheets… livestock? This study of key moments in the history of ready-made and object-based art features Damien Hirst (London), Gerhard Merz (Munich), Jeff Koons (New York) and their shared historical point of reference, Marcel Duchamp (Paris and New York, 1887-1968). Recently a poll of 500 British critics called Duchamp's 1917 Fountain the most influential Modern artwork ever created. Even more recently, a man assaulted it with a hammer at the Centre Pompidou, confirming that, nearly a century later, emotions are still running high. Object-based art, which grew into a major twentieth-century trend and continues today, took its cue from the ready-made, and Re-Object explores the continuation and transformation of both lines in contemporary artistic practice, via large-format photographs and analytical essays on the artists.
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FORMAT: Hardcover, 9.75 x 11.25 in. / 160 pgs / 120 color.
LIST PRICE: U.S. $62.00
LIST PRICE: CANADA $75
ISBN: 9783865601810
PUBLISHER: Kunsthaus Bregenz
AVAILABLE: 6/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ | D.A.P. CATALOG: SPRING 2007 Page 87 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Re-Object Published by Kunsthaus Bregenz.
Edited and with foreword by Eckhard Schneider. Text by Sebastian Egenhofer, John Gray, Herbert Molderings. Urinals, vacuum cleaners, basketballs, glass sheets… livestock? This study of key moments in the history of ready-made and object-based art features Damien Hirst (London), Gerhard Merz (Munich), Jeff Koons (New York) and their shared historical point of reference, Marcel Duchamp (Paris and New York, 1887-1968). Recently a poll of 500 British critics called Duchamp's 1917 Fountain the most influential Modern artwork ever created. Even more recently, a man assaulted it with a hammer at the Centre Pompidou, confirming that, nearly a century later, emotions are still running high. Object-based art, which grew into a major twentieth-century trend and continues today, took its cue from the ready-made, and Re-Object explores the continuation and transformation of both lines in contemporary artistic practice, via large-format photographs and analytical essays on the artists.
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