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Hardcover, 9.5 x 11.75 in. / 192 pgs / 180 color / 60 bw. PUBLISHING STATUS
Pub Date 2/2/2002
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2002 PRODUCT DETAILS
ISBN 9783775790932 TRADE
List Price: $29.95 CDN $35.00 AVAILABILITY
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| | | Duane Hanson: More Than RealityCatalogue RaisonnéEdited by Thomas Buchsteiner and Otto Letze. Essays by Johann-Karl Schmidt, Keith Hartley, Luzia Matimo.
Wrinkles, facial hair, varicose veins, and fingernail dirt are hardly the bodily stuff of your average figurative sculpture, be it a Praxiteles or a Rodin. But Duane Hanson was never after the ideal figure, merely the familiar one, one so recognizable it is often mistaken for the flesh-and-blood waitress, house painter or cop it so vividly, eerily depicts in polyester resin. Clothed in the most exacting of detail, down to their hidden underpants, Hanson's sculptures compell an endless, prying looking into the folds and moods of his subjects. More Than Reality, the first catalogue raisonne of his sculptures, reveals that Hanson's objective was never blatant voyeurism but the opening of a view onto those things we prefer to overlook: the drabness of everyday life, the dullness of common states of mind, the inevitability of mortality.
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FORMAT: Hardcover, 9.5 x 11.75 in. / 192 pgs / 180 color / 60 b&w.
LIST PRICE: U.S. $29.95
LIST PRICE: CANADA $35
ISBN: 9783775790932
PUBLISHER: Hatje Cantz
AVAILABLE: 2/2/2002
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Duane Hanson: More Than Reality
Catalogue Raisonné Published by Hatje Cantz.
Edited by Thomas Buchsteiner and Otto Letze. Essays by Johann-Karl Schmidt, Keith Hartley, Luzia Matimo. Wrinkles, facial hair, varicose veins, and fingernail dirt are hardly the bodily stuff of your average figurative sculpture, be it a Praxiteles or a Rodin. But Duane Hanson was never after the ideal figure, merely the familiar one, one so recognizable it is often mistaken for the flesh-and-blood waitress, house painter or cop it so vividly, eerily depicts in polyester resin. Clothed in the most exacting of detail, down to their hidden underpants, Hanson's sculptures compell an endless, prying looking into the folds and moods of his subjects. More Than Reality, the first catalogue raisonne of his sculptures, reveals that Hanson's objective was never blatant voyeurism but the opening of a view onto those things we prefer to overlook: the drabness of everyday life, the dullness of common states of mind, the inevitability of mortality.
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