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| | BOOK FORMAT
Hardcover, 11.25 x 9.75 in. / 104 pgs / 67 duotone. PUBLISHING STATUS
Pub Date 1/1/2007
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2007 p. 115 PRODUCT DETAILS
ISBN 9783775718868 FLAT40
List Price: $40.00 CDN $50.00 AVAILABILITY
Not available | TERRITORY
NA LA | EXHIBITION SCHEDULEMontréal
CCA, 12/07/06–03/25/07 | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Victor Burgin: Voyage to ItalyEpilogue by Hubertus von Amelunxen. Edited by Hubertus von Amelunxen, Thomas Zander.
Over the past 30 years, Victor Burgin (born in 1941) has become both a highly influential artist and a renowned theorist of the still and moving image, with work in the collections of The Museum of Modern Art, New York and the Tate Modern in London. Burgin rose to prominence in the late 1960s as an originator of Conceptual art. In the 1970s he worked in large framed photographic sequences, in which printed texts were either juxtaposed with or superimposed on the images. In the 1990s he turned towards digital video. The historian and critic Stephen Bann has written that Burgin's "exploitation of new technologies is itself fairly uninteresting compared with the remarkable consistency of the underlying themes and propositions of his work," among them narrative, memory and fantasy. These duotones refute all that uninteresting technology to offer Burgin's reflections on Pompeii, gleaned through his research of nineteenth-century photographs.
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| | | | |  | SkiraISBN: 9788861305427
USD $65.00 | CAN $85Pub Date: 9/16/2008
Active | In stock
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FORMAT: Hardcover, 11.25 x 9.75 in. / 104 pgs / 67 duotone.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $50
ISBN: 9783775718868
PUBLISHER: Hatje Cantz
AVAILABLE: 1/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2007 Page 115 | PRESS INQUIRIES
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| Victor Burgin: Voyage to Italy Published by Hatje Cantz.
Epilogue by Hubertus von Amelunxen. Edited by Hubertus von Amelunxen, Thomas Zander. Over the past 30 years, Victor Burgin (born in 1941) has become both a highly influential artist and a renowned theorist of the still and moving image, with work in the collections of The Museum of Modern Art, New York and the Tate Modern in London. Burgin rose to prominence in the late 1960s as an originator of Conceptual art. In the 1970s he worked in large framed photographic sequences, in which printed texts were either juxtaposed with or superimposed on the images. In the 1990s he turned towards digital video. The historian and critic Stephen Bann has written that Burgin's "exploitation of new technologies is itself fairly uninteresting compared with the remarkable consistency of the underlying themes and propositions of his work," among them narrative, memory and fantasy. These duotones refute all that uninteresting technology to offer Burgin's reflections on Pompeii, gleaned through his research of nineteenth-century photographs.
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