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| |   |   | Michael ReischForeword by Ulrich Pohlmann. Text by Rolf Hengesbach, Martin Hochleitner.
The lush and subtly disturbing landscape photographs of Michael Reisch cannot clearly be defined as depicting either reality or simulation. Using a large-format camera, the artist, who was once a student of Bernd Becher's, photographs long green landscapes, industrial complexes and other strangely energized buildings. Then he digitizes his images and manipulates them on the computer--removing all traces of specific place, time or human intervention--until he has created "invented" areas of the landscape that feel "more real" than the actual landscape, while the "real" landscape takes on a simulated tone that can almost call to mind The Lord of the Rings--in a very good way. This monograph is the first to offer a concentrated look at this young Dusseldorf-based artist.
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| | | | |  | KERBERISBN: 9783866789036 USD $55.00 | CAN $72.5Pub Date: 9/30/2014 Active | In stock
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FORMAT: Hardcover, 11.75 x 9.5 in. / 124 pgs / 52 color. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $60 ISBN: 9783775718486 PUBLISHER: Hatje Cantz AVAILABLE: 10/1/2006 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2007 Page 114 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Michael Reisch Published by Hatje Cantz. Foreword by Ulrich Pohlmann. Text by Rolf Hengesbach, Martin Hochleitner. The lush and subtly disturbing landscape photographs of Michael Reisch cannot clearly be defined as depicting either reality or simulation. Using a large-format camera, the artist, who was once a student of Bernd Becher's, photographs long green landscapes, industrial complexes and other strangely energized buildings. Then he digitizes his images and manipulates them on the computer--removing all traces of specific place, time or human intervention--until he has created "invented" areas of the landscape that feel "more real" than the actual landscape, while the "real" landscape takes on a simulated tone that can almost call to mind The Lord of the Rings--in a very good way. This monograph is the first to offer a concentrated look at this young Dusseldorf-based artist.
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