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Hardcover, 9 x 12.5 in. / 160 pgs / 120 color. PUBLISHING STATUS
Pub Date 3/1/2007
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Catalog: SPRING 2007 p. 158 PRODUCT DETAILS
ISBN 9783775718271 TRADE
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| | | Erik Schmidt: Hunting GroundsEdited by Marta Herford, Esther Ruelfs. Text by Sebastian Preuss, Niels Werber.
Erik Schmidt has hunting fever. This, his latest work, focuses on the sport as used in the aristocracy to stage-manage social image. Hunting is a social game, a fixed convention--and so the artist lay in wait, observed the codes, apparel and gestures, and was allowed to slip into character. The resulting works in film and painting pick up on the sport's classic visual theme, but Schmidt's plan of attack is conceptual: In taking on the role of the hunter, he reimagines the dialectic between hunter and hunted, perpetrator and victim. Hunting Grounds not only elucidates the sport's social and symbolic consequences and explores ideas of masculinity, but also reveals and engages our enduring fascination with this archaic, male-dominated world.
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| | | | |  | Text by Wiglaf Droste, Friederike Fast, Melanie Körkemeier, Kito Nedo.KERBERISBN: 9783866784833
USD $37.50 | CAN $50Pub Date: 9/30/2011
Active | In stock
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|  | Edited by Marta Herford, Esther Ruelfs. Text by Sebastian Preuss, Niels Werber.HATJE CANTZISBN: 9783775718271
USD $50.00 | CAN $60Pub Date: 3/1/2007
Out of print | Not available
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FORMAT: Hardcover, 9 x 12.5 in. / 160 pgs / 120 color.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $60
ISBN: 9783775718271
PUBLISHER: Hatje Cantz
AVAILABLE: 3/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2007 Page 158 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Erik Schmidt: Hunting Grounds Published by Hatje Cantz.
Edited by Marta Herford, Esther Ruelfs. Text by Sebastian Preuss, Niels Werber. | Erik Schmidt has hunting fever. This, his latest work, focuses on the sport as used in the aristocracy to stage-manage social image. Hunting is a social game, a fixed convention--and so the artist lay in wait, observed the codes, apparel and gestures, and was allowed to slip into character. The resulting works in film and painting pick up on the sport's classic visual theme, but Schmidt's plan of attack is conceptual: In taking on the role of the hunter, he reimagines the dialectic between hunter and hunted, perpetrator and victim. Hunting Grounds not only elucidates the sport's social and symbolic consequences and explores ideas of masculinity, but also reveals and engages our enduring fascination with this archaic, male-dominated world.
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