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Hardcover, 9.5 x 12.5 in. / 64 pgs / 48 color. PUBLISHING STATUS
Pub Date 2/15/2005
Out of print DISTRIBUTION
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Catalog: SPRING 2005 p. 140 PRODUCT DETAILS
ISBN 9783775714952 TRADE
List Price: $29.95 CDN $35.00 AVAILABILITY
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| | | Matthias Weischer: SimultanEssay by Susanne Pfeffer.
Time seems to have come to a standstill within the empty, austere, and sometimes claustrophobic interiors of Matthias Weischer's paintings. Weischer uses different visual means to achieve the unsettling effects in his view of prototypical living spaces. Shown here is his use of shifting, colliding perspectives, the motif of a painting within the painting, views into depth, and flat, highly decorative, highly ornamental elements that appear to be superimposed on the surface.
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| | | | |  | Edited and with Text by Natalie de Ligt.VERLAG FüR MODERNE KUNSTISBN: 9783941185364
USD $45.00 | CAN $55Pub Date: 4/30/2010
Out of print | Not available
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|  | Text by Wolfgang Holler.HATJE CANTZISBN: 9783775720427
USD $60.00 | CAN $70Pub Date: 2/1/2008
Out of print | Not available
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|  | Edited by Markus Stegmann. Text by Rudij Bergmann. Interview by Jean-Christophe Ammann.HATJE CANTZISBN: 9783775719049
USD $55.00 | CAN $65Pub Date: 7/1/2007
Out of print | Not available
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|  | Essay by Susanne Pfeffer.HATJE CANTZISBN: 9783775714952
USD $29.95 | CAN $35Pub Date: 2/15/2005
Out of print | Not available
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FORMAT: Hardcover, 9.5 x 12.5 in. / 64 pgs / 48 color.
LIST PRICE: U.S. $29.95
LIST PRICE: CANADA $35
ISBN: 9783775714952
PUBLISHER: Hatje Cantz
AVAILABLE: 2/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2005 Page 140 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Matthias Weischer: Simultan Published by Hatje Cantz.
Essay by Susanne Pfeffer. | Time seems to have come to a standstill within the empty, austere, and sometimes claustrophobic interiors of Matthias Weischer's paintings. Weischer uses different visual means to achieve the unsettling effects in his view of prototypical living spaces. Shown here is his use of shifting, colliding perspectives, the motif of a painting within the painting, views into depth, and flat, highly decorative, highly ornamental elements that appear to be superimposed on the surface.
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