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| | BOOK FORMAT
Hardcover, 11.5 x 9.5 in. / 112 pgs / 50 color. PUBLISHING STATUS
Pub Date 6/2/2004
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2004 PRODUCT DETAILS
ISBN 9783775713948 TRADE
List Price: $45.00 CDN $55.00 AVAILABILITY
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| | | Peter Bialobrzeski: Neon TigersPhotographsEssays by Florian Hanig and Christof Ribbat.
Photographer Peter Bialobrzeski here merges the seven Asian cities of Bangkok, Kuala Lumpur, Hong Kong, Shanghai, Jakarta, Singapor, and Shenzhen into a virtual megatropolis. The result is a view of a world that no longer seems real but appears instead as a series of dream-images from an eccentric director or computer game designer. References to reality evoke a sense of conflict in the viewer, as appreciation for the beauty of the absurd competes with recognition of an irreversible process of change in urban living space. Two different growth models are exposed: unscrupulous, uncontrolled expansion, as in Bangkok, and controlled, yet equally unscrupulous growth in a city like Shanghai. The pictures burst with conflicting signs and symbols, mostly indecipherable to the western viewer, a semiotic overkill held in check only by the picture frame.
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FORMAT: Hardcover, 11.5 x 9.5 in. / 112 pgs / 50 color.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $55
ISBN: 9783775713948
PUBLISHER: Hatje Cantz
AVAILABLE: 6/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Peter Bialobrzeski: Neon Tigers
Photographs Published by Hatje Cantz.
Essays by Florian Hanig and Christof Ribbat. | Photographer Peter Bialobrzeski here merges the seven Asian cities of Bangkok, Kuala Lumpur, Hong Kong, Shanghai, Jakarta, Singapor, and Shenzhen into a virtual megatropolis. The result is a view of a world that no longer seems real but appears instead as a series of dream-images from an eccentric director or computer game designer. References to reality evoke a sense of conflict in the viewer, as appreciation for the beauty of the absurd competes with recognition of an irreversible process of change in urban living space. Two different growth models are exposed: unscrupulous, uncontrolled expansion, as in Bangkok, and controlled, yet equally unscrupulous growth in a city like Shanghai. The pictures burst with conflicting signs and symbols, mostly indecipherable to the western viewer, a semiotic overkill held in check only by the picture frame.
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