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| | BOOK FORMAT Hardcover, 10 x 10 in. / 160 pgs / 40 color / 30 bw PUBLISHING STATUS Pub Date 6/2/2004 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2004 PRODUCT DETAILS ISBN 9783775713689 TRADE List Price: $45.00 CDN $55.00 AVAILABILITY Not available | | BROWSE THE 2021 SPRING CATALOG  Preview our SPRING 2021 catalog, featuring more than 400 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | James Lee Byars: Life, Love, And DeathEdited by Klaus Ottman. Essays by Viola Michely and Martina Weinhart.
In 1956, James Lee Byars rented a sod farm for a midnight, full moon exhibition of his abstract figure sculptures; guests viewed the work from sleds pulled over snow. In 1959, he abandoned durable materials for paper and fabric. In 1965, a nun performed his A 1,000-Foot Chinese Paper at the Carnegie International. The wondrous story of James Lee Byars begins in 1932 and ends in 1997, and its unique synthesis of Conceptual art, Minimalism, and Fluxus reflects an unending striving for beauty and perfection. The story passes by way of Japan, a place where Byars lived for many years, and where he combined the formal and symbolic aspects of Noh theater and Shinto rituals with elements of Western science, art, and philosophy, developing an appreciation for the transient, ceremonial character of performance as an essential quality of his art. Over his lifetime, he was known for works characterized by an extreme simplicity of form and material that simultaneously appeared astonishingly luxurious. Life, Love, and Death presents a critical review of Byars' oeuvre and traces his development as an artist from his formative period in Japan to his later years in New York--ranging from his performances and works on paper and fabric devoted to the theme of life, to his splendid late sculptures in gold, marble, and velvet which deal with death as the embodiment of perfection.
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| | | | |  | WALTHER KöNIG, KöLNISBN: 9783960984238 USD $39.95 | CAN $55Pub Date: 2/19/2019 Active | In stock
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|  | Edited by Magali Arriola, Peter Eleey. Interview by David Sewell.WALTHER KöNIG, KöLN/MOMA PS1/MUSEO JUMEXISBN: 9783863355111 USD $45.00 | CAN $60Pub Date: 6/30/2014 Active | In stock
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|  | Edited by Heinrich Heil. Text by Heinrich Heil, Gabriele Uerscheln. Photographs by Claudio Abate.WALTHER KöNIG, KöLNISBN: 9783863350161 USD $49.95 | CAN $67.5Pub Date: 2/29/2012 Active | Out of stock
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FORMAT: Hardcover, 10 x 10 in. / 160 pgs / 40 color / 30 b&w LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $55 ISBN: 9783775713689 PUBLISHER: Hatje Cantz AVAILABLE: 6/2/2004 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2004 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| James Lee Byars: Life, Love, And Death Published by Hatje Cantz. Edited by Klaus Ottman. Essays by Viola Michely and Martina Weinhart. | In 1956, James Lee Byars rented a sod farm for a midnight, full moon exhibition of his abstract figure sculptures; guests viewed the work from sleds pulled over snow. In 1959, he abandoned durable materials for paper and fabric. In 1965, a nun performed his A 1,000-Foot Chinese Paper at the Carnegie International. The wondrous story of James Lee Byars begins in 1932 and ends in 1997, and its unique synthesis of Conceptual art, Minimalism, and Fluxus reflects an unending striving for beauty and perfection. The story passes by way of Japan, a place where Byars lived for many years, and where he combined the formal and symbolic aspects of Noh theater and Shinto rituals with elements of Western science, art, and philosophy, developing an appreciation for the transient, ceremonial character of performance as an essential quality of his art. Over his lifetime, he was known for works characterized by an extreme simplicity of form and material that simultaneously appeared astonishingly luxurious. Life, Love, and Death presents a critical review of Byars' oeuvre and traces his development as an artist from his formative period in Japan to his later years in New York--ranging from his performances and works on paper and fabric devoted to the theme of life, to his splendid late sculptures in gold, marble, and velvet which deal with death as the embodiment of perfection.
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