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Hardcover, 10 x 10 in. / 160 pgs / 40 color / 30 bw PUBLISHING STATUS
Pub Date 6/2/2004
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Catalog: SPRING 2004 PRODUCT DETAILS
ISBN 9783775713689 TRADE
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| | | James Lee Byars: Life, Love, And DeathEdited by Klaus Ottman. Essays by Viola Michely and Martina Weinhart.
In 1956, James Lee Byars rented a sod farm for a midnight, full moon exhibition of his abstract figure sculptures; guests viewed the work from sleds pulled over snow. In 1959, he abandoned durable materials for paper and fabric. In 1965, a nun performed his A 1,000-Foot Chinese Paper at the Carnegie International. The wondrous story of James Lee Byars begins in 1932 and ends in 1997, and its unique synthesis of Conceptual art, Minimalism, and Fluxus reflects an unending striving for beauty and perfection. The story passes by way of Japan, a place where Byars lived for many years, and where he combined the formal and symbolic aspects of Noh theater and Shinto rituals with elements of Western science, art, and philosophy, developing an appreciation for the transient, ceremonial character of performance as an essential quality of his art. Over his lifetime, he was known for works characterized by an extreme simplicity of form and material that simultaneously appeared astonishingly luxurious. Life, Love, and Death presents a critical review of Byars' oeuvre and traces his development as an artist from his formative period in Japan to his later years in New York--ranging from his performances and works on paper and fabric devoted to the theme of life, to his splendid late sculptures in gold, marble, and velvet which deal with death as the embodiment of perfection.
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| | | | |  | WALTHER KöNIG, KöLNISBN: 9783960984238
USD $39.95 | CAN $55Pub Date: 2/19/2019
Active | In stock
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|  | Edited by Magali Arriola, Peter Eleey. Interview by David Sewell.WALTHER KöNIG, KöLN/MOMA PS1/MUSEO JUMEXISBN: 9783863355111
USD $45.00 | CAN $60Pub Date: 6/30/2014
Active | In stock
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|  | Edited by Heinrich Heil. Text by Heinrich Heil, Gabriele Uerscheln. Photographs by Claudio Abate.WALTHER KöNIG, KöLNISBN: 9783863350161
USD $49.95 | CAN $67.5Pub Date: 2/29/2012
Active | In stock
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|  | Edited by Susanne Friedli, Matthias Frehner. Text by Thomas McEvilley, Viola M. Michely, Peter J. Schneemann, Nicola Müllerschön.KERBERISBN: 9783866781559
USD $55.00 | CAN $65Pub Date: 3/1/2009
Out of print | Not available
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|  | Essays by Thomas McEvilley, Friedhelm Mennekes and Barbara Catoir. Foreword by Henrich Heil.WALTHER KöNIG, KöLNISBN: 9783883756189
USD $55.00 | CAN $65Pub Date: 6/15/2005
Out of print | Not available
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|  | Edited by Klaus Ottman. Essays by Viola Michely and Martina Weinhart.HATJE CANTZISBN: 9783775713689
USD $45.00 | CAN $55Pub Date: 6/2/2004
Out of print | Not available
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|  | Artwork by Joseph Beuys, James Lee Byars.HATJE CANTZISBN: 9783775709392
USD $35.00 | CAN $40Pub Date: 7/2/2000
Out of print | Not available
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FORMAT: Hardcover, 10 x 10 in. / 160 pgs / 40 color / 30 b&w
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $55
ISBN: 9783775713689
PUBLISHER: Hatje Cantz
AVAILABLE: 6/2/2004
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RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
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| James Lee Byars: Life, Love, And Death Published by Hatje Cantz.
Edited by Klaus Ottman. Essays by Viola Michely and Martina Weinhart. | In 1956, James Lee Byars rented a sod farm for a midnight, full moon exhibition of his abstract figure sculptures; guests viewed the work from sleds pulled over snow. In 1959, he abandoned durable materials for paper and fabric. In 1965, a nun performed his A 1,000-Foot Chinese Paper at the Carnegie International. The wondrous story of James Lee Byars begins in 1932 and ends in 1997, and its unique synthesis of Conceptual art, Minimalism, and Fluxus reflects an unending striving for beauty and perfection. The story passes by way of Japan, a place where Byars lived for many years, and where he combined the formal and symbolic aspects of Noh theater and Shinto rituals with elements of Western science, art, and philosophy, developing an appreciation for the transient, ceremonial character of performance as an essential quality of his art. Over his lifetime, he was known for works characterized by an extreme simplicity of form and material that simultaneously appeared astonishingly luxurious. Life, Love, and Death presents a critical review of Byars' oeuvre and traces his development as an artist from his formative period in Japan to his later years in New York--ranging from his performances and works on paper and fabric devoted to the theme of life, to his splendid late sculptures in gold, marble, and velvet which deal with death as the embodiment of perfection.
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