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| | BOOK FORMAT
Hardcover, 9.75 x 13.25 in. / 128 pgs / 106 color / 87 duotone PUBLISHING STATUS
Pub Date 6/2/2001
Out of print DISTRIBUTION
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Catalog: SPRING 2001 PRODUCT DETAILS
ISBN 9783775710114 TRADE
List Price: $60.00 CDN $70.00 AVAILABILITY
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| | | Ken Schles: The Geometry Of InnocenceEdited by Markus Schaden, Thomas Zander.
Twelve years after the legendary success of his first book of photographs, Invisible City, Ken Schles returns with his long-awaited sophomore effort, The Geometry of Innocence. Schles's focus is on the relentless shifting of social structures and spaces that mark the urban landscape of today. His images form a kind of visual roller coaster, sending the viewer onto city streets and playgrounds, into pubs and bars, putting the viewer inside a police helicopter and taking them to death row, hospital rooms, and police interventions. While there is no "story" per se, this breathless sequence of pictures is condensed into thematic clusters, providing a spellbinding and almost physically palpable experience. The works in The Geometry of Innocence address and play upon the immediacy and relativity of meaning in the photographic image, creating a bold and highly nuanced artistic statement.
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| | | | |  | Text by Lewis Mumford, Jorge Luis Borges, Franz Kafka, George Orwell, Jean Baudrillard.STEIDLISBN: 9783869306919
USD $40.00 | CAN $54Pub Date: 2/24/2015
Active | In stock
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|  | Text by Ken Schles, T.S. Eliot.STEIDLISBN: 9783869306926
USD $45.00 | CAN $60Pub Date: 2/24/2015
Active | In stock
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FORMAT: Hardcover, 9.75 x 13.25 in. / 128 pgs / 106 color / 87 duotone
LIST PRICE: U.S. $60.00
LIST PRICE: CANADA $70
ISBN: 9783775710114
PUBLISHER: Hatje Cantz
AVAILABLE: 6/2/2001
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2001 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Ken Schles: The Geometry Of Innocence Published by Hatje Cantz.
Edited by Markus Schaden, Thomas Zander. | Twelve years after the legendary success of his first book of photographs, Invisible City, Ken Schles returns with his long-awaited sophomore effort, The Geometry of Innocence. Schles's focus is on the relentless shifting of social structures and spaces that mark the urban landscape of today. His images form a kind of visual roller coaster, sending the viewer onto city streets and playgrounds, into pubs and bars, putting the viewer inside a police helicopter and taking them to death row, hospital rooms, and police interventions. While there is no "story" per se, this breathless sequence of pictures is condensed into thematic clusters, providing a spellbinding and almost physically palpable experience. The works in The Geometry of Innocence address and play upon the immediacy and relativity of meaning in the photographic image, creating a bold and highly nuanced artistic statement.
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