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| | BOOK FORMAT
Hardcover, 10.75 x 12.75 in. / 250 pgs / 150 color. PUBLISHING STATUS
Pub Date 9/15/2005
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2005 p. 159 PRODUCT DETAILS
ISBN 9782940271788 TRADE
List Price: $65.00 CDN $87.00 AVAILABILITY
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| | | Private View 1980-2000: Collection Pierre HuberEdited by Yves Aupetitallot.
Throughout the 1980s and 90s, visionary Geneva gallerist Pierre Huber seems to have had a crystal ball for what's destined to last in contemporary art. And when he's gazed into it in amassing his private collection, he's seen photography, contemporary Chinese art, abstract painting and other art forms. This catalogue, published on the occasion of an exhibition at the Musée cantonal des Beaux-Arts, Lausanne, gives others a glimpse of what Huber was seeing at the moment of inspiration: in America he found particular interest in appropriation art (Sherrie Levine, Cindy Sherman, Louise Lawler) and the wild California scene (Mike Kelley, Paul McCarthy, Jim Shaw); closer to home, he acquired work by some of the most innovative German photographers (Thomas Ruff, Candida Höfer, Thomas Struth) and Swiss artists (Sylvie Fleury, Ugo Rondinone, Olaf Breuning). Abstract painting and contemporary Chinese art also make appearances in this impressive overview.
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FORMAT: Hardcover, 10.75 x 12.75 in. / 250 pgs / 150 color.
LIST PRICE: U.S. $65.00
LIST PRICE: CANADA $87
ISBN: 9782940271788
PUBLISHER: JRP|Ringier
AVAILABLE: 9/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: FALL 2005 Page 159 | PRESS INQUIRIES
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| Private View 1980-2000: Collection Pierre Huber Published by JRP|Ringier.
Edited by Yves Aupetitallot. Throughout the 1980s and 90s, visionary Geneva gallerist Pierre Huber seems to have had a crystal ball for what's destined to last in contemporary art. And when he's gazed into it in amassing his private collection, he's seen photography, contemporary Chinese art, abstract painting and other art forms. This catalogue, published on the occasion of an exhibition at the Musée cantonal des Beaux-Arts, Lausanne, gives others a glimpse of what Huber was seeing at the moment of inspiration: in America he found particular interest in appropriation art (Sherrie Levine, Cindy Sherman, Louise Lawler) and the wild California scene (Mike Kelley, Paul McCarthy, Jim Shaw); closer to home, he acquired work by some of the most innovative German photographers (Thomas Ruff, Candida Höfer, Thomas Struth) and Swiss artists (Sylvie Fleury, Ugo Rondinone, Olaf Breuning). Abstract painting and contemporary Chinese art also make appearances in this impressive overview.
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