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Paperback, 6 x 8 in. / 192 pgs. PUBLISHING STATUS
Pub Date 10/2/2004
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ISBN 9781878972224 TRADE
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| | | Oui: The Paranoid-Critical RevolutionWritings 1927–1933By Salvador Dalí. Translated by Yvonne Shafir.
Dalí's meditations on art and the "paranoid-critical method," plus poems and moreSalvador Dalí's writings from the period in which he was most closely allied with the Surrealists have never before been translated into English. These short fictions, essays and poems contain all the egotistic brio one might expect from Dalí, but they also reveal an earnest and even sentimental artist. They document Dalí's friendships with fellow Spaniards Luis Buñuel and Federico García Lorca, his entry into the world of the Parisian Surrealists, his passion for the emerging arts of photography and cinema, and the development of his “Paranoid-Critical Method,” the theoretical basis for Dalí's work throughout his life. In 1934, Dalí and André Breton would break forever—”The only difference between me and a Surrealist is that I am a Surrealist,” he later said—but in the period 1927–33, such distinctions were unnecessary.
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FORMAT: Paperback, 6 x 8 in. / 192 pgs.
LIST PRICE: U.S. $13.95
LIST PRICE: CANADA $19.95
GBP £12.50
ISBN: 9781878972224
PUBLISHER: Exact Change
AVAILABLE: 10/2/2004
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| Oui: The Paranoid-Critical Revolution
Writings 1927–1933 Published by Exact Change.
By Salvador Dalí. Translated by Yvonne Shafir. Dalí's meditations on art and the "paranoid-critical method," plus poems and more Salvador Dalí's writings from the period in which he was most closely allied with the Surrealists have never before been translated into English. These short fictions, essays and poems contain all the egotistic brio one might expect from Dalí, but they also reveal an earnest and even sentimental artist. They document Dalí's friendships with fellow Spaniards Luis Buñuel and Federico García Lorca, his entry into the world of the Parisian Surrealists, his passion for the emerging arts of photography and cinema, and the development of his “Paranoid-Critical Method,” the theoretical basis for Dalí's work throughout his life. In 1934, Dalí and André Breton would break forever—”The only difference between me and a Surrealist is that I am a Surrealist,” he later said—but in the period 1927–33, such distinctions were unnecessary.
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