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| | BOOK FORMAT Paperback, 6 x 8 in. / 192 pgs. PUBLISHING STATUS Pub Date 10/2/2004 Active DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2004 PRODUCT DETAILS ISBN 9781878972224 TRADE List Price: $13.95 CDN $19.95 GBP £12.50 AVAILABILITY In stock | | BROWSE THE 2021 SPRING CATALOG  Preview our SPRING 2021 catalog, featuring more than 400 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | Oui: The Paranoid-Critical RevolutionWritings 1927–1933By Salvador Dalí. Translated by Yvonne Shafir.
Dalí's meditations on art and the "paranoid-critical method," plus poems and more Salvador Dalí's writings from the period in which he was most closely allied with the Surrealists have never before been translated into English. These short fictions, essays and poems contain all the egotistic brio one might expect from Dalí, but they also reveal an earnest and even sentimental artist. They document Dalí's friendships with fellow Spaniards Luis Buñuel and Federico García Lorca, his entry into the world of the Parisian Surrealists, his passion for the emerging arts of photography and cinema, and the development of his “Paranoid-Critical Method,” the theoretical basis for Dalí's work throughout his life. In 1934, Dalí and André Breton would break forever—”The only difference between me and a Surrealist is that I am a Surrealist,” he later said—but in the period 1927–33, such distinctions were unnecessary.
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FORMAT: Paperback, 6 x 8 in. / 192 pgs. LIST PRICE: U.S. $13.95 LIST PRICE: CANADA $19.95 GBP £12.50 ISBN: 9781878972224 PUBLISHER: Exact Change AVAILABLE: 10/2/2004 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD | D.A.P. CATALOG: FALL 2004 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Oui: The Paranoid-Critical Revolution Writings 1927–1933 Dalí's meditations on art and the "paranoid-critical method," plus poems and more Published by Exact Change. By Salvador Dalí. Translated by Yvonne Shafir. | Salvador Dalí's writings from the period in which he was most closely allied with the Surrealists have never before been translated into English. These short fictions, essays and poems contain all the egotistic brio one might expect from Dalí, but they also reveal an earnest and even sentimental artist. They document Dalí's friendships with fellow Spaniards Luis Buñuel and Federico García Lorca, his entry into the world of the Parisian Surrealists, his passion for the emerging arts of photography and cinema, and the development of his “Paranoid-Critical Method,” the theoretical basis for Dalí's work throughout his life. In 1934, Dalí and André Breton would break forever—”The only difference between me and a Surrealist is that I am a Surrealist,” he later said—but in the period 1927–33, such distinctions were unnecessary.
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