By Louis Aragon. Translated with introduction by Simon Watson Taylor.
Before psychogeography, the Situationists and dream urbanism, there was Paris Peasant, a pioneering Surrealist excavation of the twentieth century's capital city
Paris Peasant (1926) is one of the central works of Surrealism, yet Exact Change's edition is the first US publication of Simon Watson Taylor's authoritative translation, completed after consultations with the author. Unconventional in form—Aragon consciously avoided recognizable narration or character development—Paris Peasant is, in the author's words, “a mythology of the modern.” The book uses the city of Paris as a stage or framework, and Aragon interweaves his text with images of related ephemera: café menus, maps, inscriptions on monuments and newspaper clippings. A detailed description of a Parisian arcade (nineteenth-century precursor to the mini-mall) and another of the Buttes-Chaumont park, are among the great set pieces within Aragon's swirling prose of philosophy, dream and satire. André Breton wrote of this work: “no one could have been a more astute detector of the unwonted in all its forms; no one else could have been carried away by such intoxicating reveries about a sort of secret life of the city....”
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FORMAT: Pbk, 6 x 8 in. / 228 pgs. LIST PRICE: U.S. $15.95 LIST PRICE: CANADA $22.5 GBP £13.99 ISBN: 9781878972101 PUBLISHER: Exact Change AVAILABLE: 9/30/2011 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: WORLD
Before psychogeography, the Situationists and dream urbanism, there was Paris Peasant, a pioneering Surrealist excavation of the twentieth century's capital city
Published by Exact Change. By Louis Aragon. Translated with introduction by Simon Watson Taylor.
Paris Peasant (1926) is one of the central works of Surrealism, yet Exact Change's edition is the first US publication of Simon Watson Taylor's authoritative translation, completed after consultations with the author. Unconventional in form—Aragon consciously avoided recognizable narration or character development—Paris Peasant is, in the author's words, “a mythology of the modern.” The book uses the city of Paris as a stage or framework, and Aragon interweaves his text with images of related ephemera: café menus, maps, inscriptions on monuments and newspaper clippings. A detailed description of a Parisian arcade (nineteenth-century precursor to the mini-mall) and another of the Buttes-Chaumont park, are among the great set pieces within Aragon's swirling prose of philosophy, dream and satire. André Breton wrote of this work: “no one could have been a more astute detector of the unwonted in all its forms; no one else could have been carried away by such intoxicating reveries about a sort of secret life of the city....”
