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ApertureBOOK FORMAT
Hardcover, 11.5 x 9.75 in. / 112 pgs / 61 color. PUBLISHING STATUS
Pub Date 5/1/2006
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ISBN 9781597110112 TRADE
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Not Available | | BROWSE THE 2021 SPRING CATALOG  Preview our SPRING 2021 catalog, featuring more than 400 new books on art, photography, design, architecture, film, music and visual culture. |
| | | APERTURETim Davis: My Life in PoliticsEssays by Jack Hitt and Tim Davis.
This first in-depth publication of photographer Tim Davis's work dissects the disenchantment and dissociation that have come to dominate American civil life. It is Davis's treatise on the state of contemporary politics, politics as an aestheticized banality abstracted from real issues of power. He finds freedom of expression exhibited at its most casual and cursory, with political, commercial and populist signage jostling for space and attention in the social landscape: His documentation of that landscape, as Peter Eeley of Frieze magazine interprets it, asks, "What if campaign signs, badges, bumper stickers and flags aren't simply the ephemera of Americans' political lives, but their substance as well?" My Life in Politics represents photographic seeing at its finest and most subtle. Davis continues Stephen Shore's colorist tradition, meshing the careful management of a quotidian palette with an incisive eye for those points at which light bends and refracts, becoming something other than mere illumination.
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FORMAT: Hardcover, 11.5 x 9.75 in. / 112 pgs / 61 color.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $50
ISBN: 9781597110112
PUBLISHER: Aperture
AVAILABLE: 5/1/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not Available
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| Tim Davis: My Life in Politics Published by Aperture.
Essays by Jack Hitt and Tim Davis. | This first in-depth publication of photographer Tim Davis's work dissects the disenchantment and dissociation that have come to dominate American civil life. It is Davis's treatise on the state of contemporary politics, politics as an aestheticized banality abstracted from real issues of power. He finds freedom of expression exhibited at its most casual and cursory, with political, commercial and populist signage jostling for space and attention in the social landscape: His documentation of that landscape, as Peter Eeley of Frieze magazine interprets it, asks, "What if campaign signs, badges, bumper stickers and flags aren't simply the ephemera of Americans' political lives, but their substance as well?" My Life in Politics represents photographic seeing at its finest and most subtle. Davis continues Stephen Shore's colorist tradition, meshing the careful management of a quotidian palette with an incisive eye for those points at which light bends and refracts, becoming something other than mere illumination.
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