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Clothbound, 9.5 x 12 in. / 62 pgs / 26 color. PUBLISHING STATUS
Pub Date 2/1/2006
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Catalog: SPRING 2006 p. 105 PRODUCT DETAILS
ISBN 9780974960715 TRADE
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| | | Willem de Kooning: Garden in DelftLandscapes 1928-1988Essay by David Anfam.
This carefully culled portfolio of 14 paintings, meticulously reproduced and documented, spans 60 years--from the time of the master's arrival in America to the late 80s. Readers will find rare examples of de Kooning's earliest works juxtaposed with a cityscape from the 1950s, canvases from the important period of his arrival in Easthampton, and abstract landscapes of the 70s and 80s. David Anfam's essay traces de Kooning's intriguing relationship to water, invoking the work of Heraclitus, Yeats, Melville and Frost in conjuring the sense of fluidity that characterized both his urban and rural work. Anfam also puzzles over the enigma of a man who lived perpetually beside the ocean--the book opens with a photograph of him striding across the beach in Easthampton in 1968--but never learned to swim.
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|  | Essay by David Anfam.MITCHELL-INNES & NASHISBN: 9780974960715
USD $40.00 | CAN $54 UK £ 35Pub Date: 2/1/2006
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|  | Essay by Amy Schichtel.MITCHELL-INNES & NASHISBN: 9780971384439
USD $30.00 | CAN $40 UK £ 27Pub Date: 10/2/2002
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FORMAT: Clothbound, 9.5 x 12 in. / 62 pgs / 26 color.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $54
GBP £35.00
ISBN: 9780974960715
PUBLISHER: Mitchell-Innes & Nash
AVAILABLE: 2/1/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2006 Page 105 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Willem de Kooning: Garden in Delft
Landscapes 1928-1988 Published by Mitchell-Innes & Nash.
Essay by David Anfam. | This carefully culled portfolio of 14 paintings, meticulously reproduced and documented, spans 60 years--from the time of the master's arrival in America to the late 80s. Readers will find rare examples of de Kooning's earliest works juxtaposed with a cityscape from the 1950s, canvases from the important period of his arrival in Easthampton, and abstract landscapes of the 70s and 80s. David Anfam's essay traces de Kooning's intriguing relationship to water, invoking the work of Heraclitus, Yeats, Melville and Frost in conjuring the sense of fluidity that characterized both his urban and rural work. Anfam also puzzles over the enigma of a man who lived perpetually beside the ocean--the book opens with a photograph of him striding across the beach in Easthampton in 1968--but never learned to swim.
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