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Colby College Museum of ArtBOOK FORMAT
Paperback, 7 x 10 in. / 124 pgs / 56 bw / 82 duotone. PUBLISHING STATUS
Pub Date 1/1/2006
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Catalog: SPRING 2006 p. 104 PRODUCT DETAILS
ISBN 9780972848442 TRADE
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| | | COLBY COLLEGE MUSEUM OF ARTTerry Winters: Prints & SequencesEssay by Clifford S. Ackley. Foreword by Sharon Corwin.
The Colby College of Art is the sole repository of Terry Winters's entire archive of prints. Prints & Sequences presents selections from that collection, spanning two decades and a variety of media including lithography, etching, aquatint, woodcut, linoleum cut and Mixografia. Serial practice is at the core of Winters's art, and Prints & Sequences offers insight into the artist's diverse printing techniques as well as a perspective on his serial processes within individual groupings. The catalogue essay by Clifford S. Ackley, Chair, Department of Prints, Drawings, and Photographs, and Ruth and Carl Shapiro Curator of Prints and Drawings, Museum of Fine Arts, Boston, offers an insightful account of Winters's printmaking within the history of the medium.
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|  | Essay by Clifford S. Ackley. Foreword by Sharon Corwin.COLBY COLLEGE MUSEUM OF ARTISBN: 9780972848442
USD $20.00 | CAN $25Pub Date: 1/1/2006
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FORMAT: Paperback, 7 x 10 in. / 124 pgs / 56 b&w / 82 duotone.
LIST PRICE: U.S. $20.00
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ISBN: 9780972848442
PUBLISHER: Colby College Museum of Art
AVAILABLE: 1/1/2006
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| Terry Winters: Prints & Sequences Published by Colby College Museum of Art.
Essay by Clifford S. Ackley. Foreword by Sharon Corwin. | The Colby College of Art is the sole repository of Terry Winters's entire archive of prints. Prints & Sequences presents selections from that collection, spanning two decades and a variety of media including lithography, etching, aquatint, woodcut, linoleum cut and Mixografia. Serial practice is at the core of Winters's art, and Prints & Sequences offers insight into the artist's diverse printing techniques as well as a perspective on his serial processes within individual groupings. The catalogue essay by Clifford S. Ackley, Chair, Department of Prints, Drawings, and Photographs, and Ruth and Carl Shapiro Curator of Prints and Drawings, Museum of Fine Arts, Boston, offers an insightful account of Winters's printmaking within the history of the medium.
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