| | PUBLISHER Skarstedt Fine ArtBOOK FORMAT Hardcover, 7 x 12 in. / 84 pgs / 20 color PUBLISHING STATUS Pub Date 1/2/2004 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2004 PRODUCT DETAILS ISBN 9780970909015 TRADE List Price: $30.00 CAD $35.00 AVAILABILITY Not available | TERRITORY WORLD | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | SKARSTEDT FINE ARTAlbert Oehlen: Self PortraitsInterview by Rainald Goetz.
By stripping the painting down to its basic rules, by using himself as a decisive subject matter, Oehlen created a body of work that diminished the limitations of previous cultural, aesthetic, and artistic obligations made on a painter and painting. This first volume to feature all of Oehlen's early self portraits reveals his balancing of figuration with abstraction, and his simultaneous questioning of the practice and history of art.
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FORMAT: Hardcover, 7 x 12 in. / 84 pgs / 20 color LIST PRICE: U.S. $30.00 LIST PRICE: CANADA $35 ISBN: 9780970909015 PUBLISHER: Skarstedt Fine Art AVAILABLE: 1/2/2004 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2004 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Albert Oehlen: Self Portraits Published by Skarstedt Fine Art. Interview by Rainald Goetz. By stripping the painting down to its basic rules, by using himself as a decisive subject matter, Oehlen created a body of work that diminished the limitations of previous cultural, aesthetic, and artistic obligations made on a painter and painting. This first volume to feature all of Oehlen's early self portraits reveals his balancing of figuration with abstraction, and his simultaneous questioning of the practice and history of art.
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