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| | PUBLISHER
Zwirner & WirthBOOK FORMAT
Hardcover, 7 x 10 in. / 94 pgs / 35 color. PUBLISHING STATUS
Pub Date 8/15/2006
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2006 p. 117 PRODUCT DETAILS
ISBN 9780970888488 TRADE
List Price: $35.00 CDN $40.00 AVAILABILITY
Not available | TERRITORY
WORLD | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | ZWIRNER & WIRTHMarlene Dumas: Selected WorksEssay by Marlene van Niekerk.
A blue-black topless woman stakes her claim on the Upper East Side. A stripper displays her behind next to six brides posing in a row. A dead man with a bound jaw asks the viewer to confront three blindfolded prisoners and three mysteriously somber children. The paintings and drawings collected here demonstrate Marlene Dumas's enduring fascination with image-making as a force for objectification, and simultaneously express her desire to pry the act of figurative painting loose from that history. Her lushly painted work recalls the immediacy of Expressionism in its gestures, the critical distance of Conceptual art in its idea-driven intensity, and the pleasures of eroticism in both its subjects and its lavishly applied paint. The complexity of Dumas's conceptual preoccupations is belied by her formal mastery--both command the viewer's attention, and the chemistry between them makes her one of our most important living figurative painters.
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FORMAT: Hardcover, 7 x 10 in. / 94 pgs / 35 color.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $40
ISBN: 9780970888488
PUBLISHER: Zwirner & Wirth
AVAILABLE: 8/15/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: WORLD | D.A.P. CATALOG: FALL 2006 Page 117 | PRESS INQUIRIES
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| Marlene Dumas: Selected Works Published by Zwirner & Wirth.
Essay by Marlene van Niekerk. A blue-black topless woman stakes her claim on the Upper East Side. A stripper displays her behind next to six brides posing in a row. A dead man with a bound jaw asks the viewer to confront three blindfolded prisoners and three mysteriously somber children. The paintings and drawings collected here demonstrate Marlene Dumas's enduring fascination with image-making as a force for objectification, and simultaneously express her desire to pry the act of figurative painting loose from that history. Her lushly painted work recalls the immediacy of Expressionism in its gestures, the critical distance of Conceptual art in its idea-driven intensity, and the pleasures of eroticism in both its subjects and its lavishly applied paint. The complexity of Dumas's conceptual preoccupations is belied by her formal mastery--both command the viewer's attention, and the chemistry between them makes her one of our most important living figurative painters.
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