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| | BOOK FORMAT
Clothbound, 7.25 x 9 in. / 180 pgs / 135 color. PUBLISHING STATUS
Pub Date 1/1/2007
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2007 p. 50 PRODUCT DETAILS
ISBN 9780892073559 TRADE
List Price: $45.00 CDN $55.00 AVAILABILITY
Not available | EXHIBITION SCHEDULEBerlin
Deustche Guggenheim, 10/18/06-1/14/07
Venice
Peggy Guggenheim Collection, 2007 | | BROWSE THE 2021 FALL CATALOG  | Preview our FALL 2021 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Matthew Barney & Joseph Beuys: All in the Present Must Be TransformedText by Nancy Spector, Mark Taylor, Christian Scheidemann, Nat Trotman.
All in the Present Must Be Transformed: Matthew Barney and Joseph Beuys examines key affinities between these two seminal twentieth-century artists, who, though separated by generation and geography, share many aesthetic and conceptual concerns. Published in conjunction with the exhibition at the Deutsche Guggenheim, Berlin, it focuses on the two artists' metaphoric use of materials, their interest in metamorphosis, their employment of narrative structures and the relationship between action and documentation in their work. The exhibition, whose content is drawn largely from the Guggenheim's substantial permanent collection, pairs a selection of drawings and vitrines by both artists, as well as Barney's multipart sculpture, "Chrysler Imperial" (2002) from Cremaster 3, with Beuys' installation "Terremoto" (1981). The book examines the performative side of both artists' practices, as evidenced by the way each has theatricalized his own sculptural production. In addition, it documents both artists' one-person exhibitions at the Solomon R. Guggenheim Museum in New York and includes an extensive selection of drawings and key comparative works.
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FORMAT: Clothbound, 7.25 x 9 in. / 180 pgs / 135 color.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $55
ISBN: 9780892073559
PUBLISHER: Guggenheim Museum Publications
AVAILABLE: 1/1/2007
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| Matthew Barney & Joseph Beuys: All in the Present Must Be Transformed Published by Guggenheim Museum Publications.
Text by Nancy Spector, Mark Taylor, Christian Scheidemann, Nat Trotman. | All in the Present Must Be Transformed: Matthew Barney and Joseph Beuys examines key affinities between these two seminal twentieth-century artists, who, though separated by generation and geography, share many aesthetic and conceptual concerns. Published in conjunction with the exhibition at the Deutsche Guggenheim, Berlin, it focuses on the two artists' metaphoric use of materials, their interest in metamorphosis, their employment of narrative structures and the relationship between action and documentation in their work. The exhibition, whose content is drawn largely from the Guggenheim's substantial permanent collection, pairs a selection of drawings and vitrines by both artists, as well as Barney's multipart sculpture, "Chrysler Imperial" (2002) from Cremaster 3, with Beuys' installation "Terremoto" (1981). The book examines the performative side of both artists' practices, as evidenced by the way each has theatricalized his own sculptural production. In addition, it documents both artists' one-person exhibitions at the Solomon R. Guggenheim Museum in New York and includes an extensive selection of drawings and key comparative works.
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