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| | BOOK FORMAT
Hardcover, 11.75 x 10 in. / 472 pgs / 346 color. PUBLISHING STATUS
Pub Date 5/2/2003
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2003 PRODUCT DETAILS
ISBN 9780892072675 TRADE
List Price: $65.00 CDN $75.00 AVAILABILITY
Not available | "The imagery was expendable to me but it was the color and texture that I was interested in, for instance, if I thought I felt like painting red I might have painted a great big tomato."
--James Rosenquist (1972)
"A sly story-teller, a charmer and an old style rabble-rouser, he still has a restless energy...Pure poetry"
--Michael Kimmelman, The New York Times |
| | | James Rosenquist: A RetrospectiveEssays by Julia Blaut, Ruth E. Fine, Walter Hopps and Sarah Bancroft.
Lipsticks, automobiles, dishwashers, men in business suits, spaghetti, rockets, airplanes, hairdryers, ice cream cones and pigtailed girls. James Rosenquist has always known how to combine these seemingly disparate but always all-American elements into whirlwind, billboard-sized collages of airbrushed surreal euphoria, slamming colors, patterns and objects into one another with the eye of an advertising man and the heart of a Pop artist. This momentous catalogue, published to accompany the first in-depth survey of the artist's work since 1972, will give long-overdue, in-depth attention to Rosenquist's singular achievement in American art. Extensive illustrations cover major works in diverse media, including work on paper that reveals the artist's process, as well as extensive new and archival photography. Essays focus on areas that have only been superficially addressed in the literature to date, bringing the level of Rosenquist scholarship up to that of his Pop art contemporaries. Curator Walter Hopps provides an overview of the artist's career; Julia Blaut considers the artist's source collages in the context of twentieth-century collage; Ruth E. Fine addresses Rosenquist's prints; art collector and former aeronautics researcher Eugene E. Epstein relates the artist's work to scientific phenomena. Also included are a definitive biography, exhibition history and illustrated chronology.
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| | | | |  | Edited by Kelsey Corbett, Polly Robinson Gaer. Foreword by Sarah C. Bancroft. Text by Alex J. Taylor.GALERIE THADDAEUS ROPACISBN: 9781916204805
USD $50.00 | CAN $69.95Pub Date: 4/28/2020
Forthcoming
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|  | Text by Sarah C. Bancroft.OKLAHOMA STATE UNIVERSITY MUSEUM OF ARTISBN: 9780989549929
USD $25.00 | CAN $34.5 UK £ 22Pub Date: 9/27/2016
Active | In stock
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FORMAT: Hardcover, 11.75 x 10 in. / 472 pgs / 346 color.
LIST PRICE: U.S. $65.00
LIST PRICE: CANADA $75
ISBN: 9780892072675
PUBLISHER: Guggenheim Museum Publications
AVAILABLE: 5/2/2003
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: WORLD | D.A.P. CATALOG: FALL 2003 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| James Rosenquist: A Retrospective Published by Guggenheim Museum Publications.
Essays by Julia Blaut, Ruth E. Fine, Walter Hopps and Sarah Bancroft. | Lipsticks, automobiles, dishwashers, men in business suits, spaghetti, rockets, airplanes, hairdryers, ice cream cones and pigtailed girls. James Rosenquist has always known how to combine these seemingly disparate but always all-American elements into whirlwind, billboard-sized collages of airbrushed surreal euphoria, slamming colors, patterns and objects into one another with the eye of an advertising man and the heart of a Pop artist. This momentous catalogue, published to accompany the first in-depth survey of the artist's work since 1972, will give long-overdue, in-depth attention to Rosenquist's singular achievement in American art. Extensive illustrations cover major works in diverse media, including work on paper that reveals the artist's process, as well as extensive new and archival photography. Essays focus on areas that have only been superficially addressed in the literature to date, bringing the level of Rosenquist scholarship up to that of his Pop art contemporaries. Curator Walter Hopps provides an overview of the artist's career; Julia Blaut considers the artist's source collages in the context of twentieth-century collage; Ruth E. Fine addresses Rosenquist's prints; art collector and former aeronautics researcher Eugene E. Epstein relates the artist's work to scientific phenomena. Also included are a definitive biography, exhibition history and illustrated chronology.
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