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| | BOOK FORMAT
Hardcover, 9 x 10.75 in. / 296 pgs / 114 color / 132 bw. PUBLISHING STATUS
Pub Date 7/2/2002
Out of print DISTRIBUTION
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Catalog: FALL 2002 PRODUCT DETAILS
ISBN 9780870700910 TRADE
List Price: $50.00 CDN $60.00 AVAILABILITY
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| | | The Museum As MuseArtists ReflectEssay by Kynaston McShine. Foreword by Glenn D Lowry.
Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; "personal museums" and "cabinets of curiosities" by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo; and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York.
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FORMAT: Hardcover, 9 x 10.75 in. / 296 pgs / 114 color / 132 b&w.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $60
ISBN: 9780870700910
PUBLISHER: The Museum of Modern Art, New York
AVAILABLE: 7/2/2002
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA ONLY | D.A.P. CATALOG: FALL 2002 | PRESS INQUIRIES
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| The Museum As Muse
Artists Reflect Published by The Museum of Modern Art, New York.
Essay by Kynaston McShine. Foreword by Glenn D Lowry. Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; "personal museums" and "cabinets of curiosities" by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo; and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York.
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