Published by Hatje Cantz. Text by Mikkel Bogh, Jacob Fabricius, Marianne Torp.
What does “family” mean today? Which notions and prejudices come to light with it? How is modern family life shaped these days? In her project A Real Danish Family, British artist Gillian Wearing (born 1963) poses these questions in ways that are both artistic and thought-provoking. The eponymous sculpture portrays a Danish family selected from 492 participating families of the most diverse composition. The exhibition Family Stories, opening for the unveiling of the sculpture in the National Gallery of Denmark (SMK) in Copenhagen, also revolves around the family as the crystallization point for human relationships. Photographs, videos and sculptures explore relatedness and identity, and include the artist’s own family as an example. In a series of “self-portraits” the artist uses masks to slip into the roles of her siblings, parents and grandparents. The publication examines Wearing’s work and the theme of the family through the lens of art history, and traces the course of A Real Danish Family, a project that boldly questions patterns of thought in society.
Published by Ridinghouse. Text by Daniel Herrmann.
Gillian Wearing’s work explores the connections between public and private, fiction and reality, and the relationship between artist and viewer.
This monograph provides an overview of the artist’s work from the early, iconic photographs of people holding up signs with written personal confessions or thoughts – entitled Signs That Say What You Want Them to Say and Not Signs That Say What Someone Else Wants You to Say (1992–93) – to her latest video Bully (2010) in which the roles of victims and perpetrators, actors and directors are blurred
The publication accompanies a major international survey of the artist’s work at Whitechapel Gallery, London; K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf; and Pinakothek der Moderne, Munich; which includes new photographic works, two portraits from her ongoing series of iconic photographers and still lives of flowers that are inspired by the rich symbolism of seventeenth-century Dutch painting.
100 full-colour illustrations and never-before-published archival material are accompanied by new texts by the exhibition’s curators, Daniel F. Herrmann, Doris Krystof and Bernhart Schwenk.