In Fiat Lux, Olivier Duport (born 1989) explores the powerful relationship between light and the sacred as it unfolds within church architecture. Moving through chapels, cathedrals and devotional spaces across southern Italy, Duport’s photographs examine how light structures spiritual experience—how it guides the eye, animates stone and transforms built form into a site of contemplation. Details of altars, vaults and thresholds emerge and recede, situating the viewer within a sensory encounter rather than a descriptive survey. The photographs move between material precision and spiritual suggestion, revealing how architecture becomes a vessel for immaterial experience. The title, Latin for “let there be light,” invokes both a biblical origin and an architectural principle: light as revelation, presence and symbolic force.
Published by FLEE Project. Edited by Olivier Duport, Alan Marzo. Text by Sara Hammami, Eiman Elnaiem, Turki Gazzaz. Translated with interview by Nouf Al-Harti.
Published with Art Jameel.
Bringing together essays, interviews and original photography, Jeddah Roundabouts traces how these monumental traffic islands—at once civic landmarks, public artworks and infrastructural necessities—became symbols of an era of unprecedented expansion.
Jeddah Roundabouts