| Gregory CrewdsonMuseum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays
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OUT OF PRINT LISTING Gregory CrewdsonEdited by Stephan Berg. Essays by Martin Hentschel, Martin Hochleitner, Urs Stahel and Stephan Berg.Hardcover, 11.75 x 10 in. / 242 pgs / 80 color / 100 bw. | 11/15/2005 | Not available
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Text by Alexander Nemerov.Cathedral of the Pines presents Gregory Crewdson’s first new body of work in over five years. The series marks a return to Crewdson’s classic style of storytelling via the single image, using light and color to create newly intimate, psychologically charged imagery. It also marks a time of transition for the artist, including a retreat from New York to a remote home and studio in western Massachusetts—a period of time during which Crewdson chose to remain socially withdrawn, instead committing to daily, long-distance, open-water swims and cross-country skiing on wooded paths. Cathedral of the Pines is named after one of these trails, deep in the forests of Becket, Massachusetts, the site where he found the inspiration to make these new pictures. It was there that he felt darkness lift, experienced a reconnection with his artistic process, and moved into a period of renewal and intense creative productivity. The photographs are accompanied by an essay by Alexander Nemerov, who addresses the work in relation to the American past, focusing in particular on the way the images draw space and time down to ceremonial points, in which "all that ever happened in these places seems crystallized in his tableaux, as if the quiet melancholy of Crewdson’s scenes gathered the unruly sorrows and other little-guessed feelings of people long gone who once stood on those spots."
Gregory Crewdson (born 1962) is a graduate of SUNY Purchase and the Yale School of Art, where he is now Director of Graduate Studies in Photography. His series Beneath the Roses is the subject of the 2012 documentary Gregory Crewdson: Brief Encounters. His work has been exhibited widely in the US and Europe, including a survey that toured throughout Europe from 2001 to 2008. He is represented by Gagosian Gallery, New York.
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ApertureBOOK FORMAT
Clth, 15.5 x 12 in. / 76 pgs / 31 color. PUBLISHING STATUS
Pub Date 3/22/2016
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Not Available Published by Skarstedt Fine Art.
Text by Gregory Crewdson.In the summer of 1996, Gregory Crewdson spent two solitary months at his family's cabin in Becket, Massachusetts. Using both small- and medium-format cameras, he obsessively photographed the fireflies that came alive at dusk each evening. Crewdson was drawn to the flickering lights, in part, by the underlying impossibility of capturing their elusive beauty in pictures. This luxurious volume, featuring 61 full-page tritone reproductions, calls to mind many of the hallmarks of Crewdson's oeuvre, from the sense of wonder in the nocturnal landscape, to the focus on light as a narrative event, to the fascination with nature as a psychological mystery. Although consistent in terms of their subject matter, these photographs demonstrate a wide scope of visual expression ranging from almost pure abstraction to more idyllic representations of the natural landscape.
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Skarstedt Fine ArtBOOK FORMAT
Clothbound, 12 x 9 in. / 128 pgs / 61 tritone PUBLISHING STATUS
Pub Date 2/1/2007
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Catalog: SPRING 2007 p. 115 PRODUCT DETAILS
ISBN 9780970909053 TRADE
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Not available Published by Hatje Cantz.
Edited by Stephan Berg. Essays by Martin Hentschel, Martin Hochleitner, Urs Stahel and Stephan Berg.Gregory Crewdson's photographic series capture a particularly American state of normalcy--in dissolution. The viewer, at first seduced by what appears to be an idyllic scene, soon discovers subtle off-kilter elements more akin to Film Noir than an NBC comedy. In a work from his Twilight series, yellow school buses are parked outside white wooden houses, and students stand and lounge around in seeming passivity. Something is happening--what, we don't know. The vision is familiar yet unfamiliar, seemingly benign yet threatening. Crewdson goes to great lengths in dramatizing his disturbing suburban scenes, employing elaborate lighting, cranes, props and extras, espousing a level of behind-the-scenes preparation more akin to the making of a Hollywood movie than the making of a still image. Here perhaps is one place to locate the eerie unreality and narrativity of his pictures, the creepy attention to detail so out of place, in the ordinary settings he evokes. Middle-class reality meets the other side of the normal here--by way of Sigmund Freud.
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Hardcover, 11.75 x 10 in. / 242 pgs / 80 color / 100 bw. PUBLISHING STATUS
Pub Date 11/15/2005
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Catalog: FALL 2005 p. 30 PRODUCT DETAILS
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Not available Published by Harry N. Abrams.
Crewdson's most recent series of photographs, Twilight, are created as elaborately constructed film stills, catching the mysterious moment of time between before and after, revealing unknowable or unimaginable aspects of domestic reality. A cow lies on its back on the lawn between two houses while firemen secure the area and a man searches the sky. Could the cow have rained down from above? In another image stacks and stacks of inedible slices of bread - bearing an odd resemblance to the mysterious monoliths at Stonehenge - are watched over by a gathering of birds. Both entirely foreign and oddly familiar, these images are carefully orchestrated events that challenge our very notions of familiarity, undermining our sense of certainty. These eerie and evocative photographs pair beauty with horror, obsession with disgust, and the real with the surreal, suggesting narratives open to endless interpretations. The book includes an essay written by fiction writer Rick Moody. The book and exhibitions are comprised of the forty images from his Twilight series which was begun in 1998 - these exhibitions and this book chronicle the completion of the series and mark the first time it will be seen in its entirety. PUBLISHER
Harry N. AbramsPUBLISHING STATUS
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Published by Harry N. Abrams.
Although these series illustrate distinct subject matter, they share Crewdson’s unique preoccupations and compelling aesthetic. “Fireflies” is the result of two solitary summer months spent photographing the fireflies that came alive at dusk each evening. “Beneath the Roses” depicts the homes, streets, and forests of unnamed small towns, revealing emotionally charged moments in the lives of seemingly ordinary individuals. In “Sanctuary,” haunting images of the legendary Italian film studio Cinecittà capture the beauty of the decaying film sets. Texts from curators of the exhibition and Crewdson himself offer fresh insight and examine the parallels between these seemingly disparate subjects. PUBLISHER
Harry N. AbramsPUBLISHING STATUS
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Published by Harry N. Abrams.
Best known for his elaborately choreographed, large-scale photographs, Gregory Crewdson is one of the most exciting and important artists working today. The images that comprise Crewdson’s new series, “Beneath the Roses,” take place in the homes, streets, and forests of unnamed small towns. The photographs portray emotionally charged moments of seemingly ordinary individuals caught in ambiguous and often disquieting circumstances. Both epic in scale and intimate in scope, these visually breathtaking photographs blur the distinctions between cinema and photography, reality and fantasy, what has happened and what is to come.
Beneath the Roses features an essay by acclaimed fiction writer Russell Banks, as well as many never-before-seen photographs, including production stills, lighting charts, sketches, and architectural plans, that serve as a window into Crewdson’s working process. The book is published to coincide with exhibitions in New York, London, and Los Angeles. PUBLISHER
Harry N. AbramsPUBLISHING STATUS
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Published by Harry N. Abrams.
While visiting Rome, world-renowned photographer Gregory Crewdson was invited to tour the legendary film studio Cinecittà, where directors such as Federico Fellini and Roberto Rossellini shot their iconic works. He found the elaborate film sets fallen into ruin and, captivated by their beauty, chose them as the subject of his next body of work. Although his earlier series were characterized by large production crews, custom-built soundstages, and hired actors, Crewdson returned to Rome with only a small team to create the haunting black-and-white portraits of deteriorating buildings and deserted streets that are flawlessly reproduced in this book. Admirers of Crewdson’s work will find these new photographs are a bold departure, which yet convey the dramatic subtext and charged emotions that characterize his earlier works. PUBLISHER
Harry N. AbramsPUBLISHING STATUS
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ISBN 9780810991996 RETAIL
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Published by Zeitgeist Films.
A Film by Ben Shapiro.An acclaimed photographer with the eye of a filmmaker, Gregory Crewdson (born 1962) has created some of the most gorgeously haunting pictures in the history of the medium. His meticulously composed, large-scale images are stunning narratives of small-town American life--moviescapes crystallized into a single frame. While the photographs are staged with crews that rival many feature film productions, Crewdson takes inspiration as much from his own dreams and fantasies as the worlds of Alfred Hitchcock, David Lynch, Edward Hopper and Diane Arbus. Crewdson’s imagery has also infiltrated the pop culture landscape--including his inimitable Six Feet Under ads and Yo La Tengo album art. Shot over a decade with unprecedented access, Gregory Crewdson: Brief Encounters beautifully bares the artist’s process--and is as mesmerizing and riveting as the images themselves.
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Zeitgeist FilmsBOOK FORMAT
DVD (NTSC), 5 x 7 in. / 77 minutes. PUBLISHING STATUS
Pub Date 7/31/2013
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Catalog: FALL 2013 p. 110 PRODUCT DETAILS
ISBN 9781938922213 TRADE
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Gregory Crewdson: Fireflies
Gregory Crewdson
Twilight: Photographs by Gregory Crewdson
In a Lonely Place
Beneath the Roses
Sanctuary Gregory Crewdson
Gregory Crewdson: Brief Encounters
