PHOTOGRAPHY MONOGRAPHS

Anne Collier

Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays


MONOGRAPHS & CATALOGS

Anne Collier: Women with Cameras (Self Portrait)
Anne Collier: Women with Cameras (Self Portrait)
KARMA, NEW YORK

Pbk, 10 x 10 in. / 168 pgs / 80 color. | 8/28/2018 | In stock
$45.00



Anne Collier
Anne Collier
MCA CHICAGO

"Collier uncouples the machinery of appropriation so that her found images seem weightless, holding their obvious meaning in abeyance." —Brian Dillon, Frieze

Hbk, 10 x 10 in. / 116 pgs / 55 color. | 9/30/2014 | Not available
$35.00



Anne Collier: Women with Cameras (Anonymous)
Anne Collier: Women with Cameras (Anonymous)
KARMA, NEW YORK/STUDIO VOLTAIRE

Women with Cameras (Anonymous) is a new artist's book by Anne Collier (born 1970), with a text by Hilton Als (winner of the 2017 Pulitzer Prize for Criticism), that consists of a sequence of 80 images of found amateur photographs that each depict a female subject in the act of holding a camera or taking a photograph. .

Pbk, 10 x 10 in. / 168 pgs / 80 color. | 8/22/2017 | Not available
$45.00



Anne Collier: Women with Cameras (Self Portrait)Anne Collier: Women with Cameras (Self Portrait)

Published by Karma, New York.
Text by Lynne Tillman.

This book collects images that New York–based artist Anne Collier (born 1970) originally presented as a slideshow of 80 35mm slides depicting found images of female subjects in the act of taking self-portraits. Dating from the 1970s to the early 2000s, these relics of the analog age were collected by Collier, each image discarded by its original owner but finding its way back to relevance in Collier’s work. The slideshow consists of amateur snapshots of women photographing themselves with film cameras prior to the advent of the digital "selfie." Instead of circulating on social media, these abandoned images once existed for a private audience. The resulting work is steeped in a deep sense of loneliness, illustrating photography’s contentious relationship to memory, loss and self-representation. The book represents a kind of sequel to Collier's 2017 book Women with Cameras (Anonymous).



PUBLISHER
Karma, New York

BOOK FORMAT
Paperback, 10 x 10 in. / 168 pgs / 80 color.

PUBLISHING STATUS
Pub Date
Active

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D.A.P. Exclusive
Catalog: SPRING 2019 p. 157   

PRODUCT DETAILS
ISBN 9781949172003 TRADE
List Price: $45.00 CAD $62.00 GBP £40.00

AVAILABILITY
In stock

in stock  $45.00


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Anne Collier: Women with Cameras (Anonymous)Anne Collier: Women with Cameras (Anonymous)

Published by Karma, New York/Studio Voltaire.

Dating from the 1970s to the early 2000s, these artifacts of the pre-digital age were collected by Collier over a number of years from flea markets, thrift stores and online market places. Each of these photographs has, at some point in the recent past, been discarded by its original owner. The concept of "abandonment," of photographic images and the personal histories that they represent, is central to Women with Cameras (Anonymous), which amplifies photography’s relationship with memory, melancholia and loss. The sequence of the images in Collier's book follows the format of her 35mm slide projection work Women with Cameras (Anonymous) (2016), that was recently shown to great acclaim in Tokyo, Japan, and Basel, Switzerland.



PUBLISHER
Karma, New York/Studio Voltaire

BOOK FORMAT
Paperback, 10 x 10 in. / 168 pgs / 80 color.

PUBLISHING STATUS
Pub Date
Out of stock indefinitely

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2017 p. 102   

PRODUCT DETAILS
ISBN 9781942607700 TRADE
List Price: $45.00 CAD $60.00 GBP £40.00

AVAILABILITY
Not available

STATUS: Out of stock indefinitely.

Anne CollierAnne Collier

Published by MCA Chicago.
Foreword by Madeleine Grynsztejn. Text by Michael Darling, Chrissie Iles, Kate Zambreno.

New York-based conceptual photographer Anne Collier (born 1970) creates neutral images of objects that already exist in the world, often charged with undercurrents of emotional complexity and vulnerability. Her work deftly addresses subjects inherent to both the act and industry of photography while simultaneously lampooning clichés and uncovering hidden truths. Describing Collier's work in Frieze magazine, the acclaimed author and critic Brian Dillon wrote, "Collier uncouples the machinery of appropriation so that her found images seem weightless, holding their obvious meaning in abeyance." This volume, part of the MCA Monograph series, accompanies the first major solo US exhibition of Collier's work. Alongside a selection of color plates, Michael Darling, James W. Alsdorf Chief Curator at the MCA, reviews the works in the exhibition within the context of the artist's career; Chrissie Iles, Anne and Joel Ehrenkranz curator at the Whitney Museum of American Art, examines the artist's position within photographic and cinematic history; and novelist Kate Zambreno considers the fragments of lost objects and what it means to collect.

PUBLISHER
MCA Chicago

BOOK FORMAT
Hardcover, 10 x 10 in. / 116 pgs / 55 color.

PUBLISHING STATUS
Pub Date
Out of stock indefinitely

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2014 p. 123   

PRODUCT DETAILS
ISBN 9781938922527 TRADE
List Price: $35.00 CAD $47.50 GBP £30.00

AVAILABILITY
Not available

STATUS: Out of stock indefinitely.

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