Published by After 8 Books. Edited by Charlotte Houette, François Lancien-Guilberteau, Benjamin Thorel. Foreword by Lynne Tillman.
Since the 1970s, Amy Sillman—a beloved and key figure of the New York art scene—has developed a singular body of work that includes large-scale gestural paintings blending abstraction with representation, as well as zines and iPad animations.
Over the past decade, Sillman has also produced stimulating essays on the practice of art or the work of other artists: for example, reevaluating the work of the abstract expressionists with a queer eye; elaborating on the role of awkwardness and the body in the artistic process; and discussing in depth the role and meanings of color and shape. Featuring a foreword by Lynne Tillman, Faux Pas is the first book to gather a significant selection of Sillman’s essays, reviews and lectures, accompanied by drawings, most of them made specially for the book.
Faux Pas aims at revealing the coherence and originality of Sillman’s reflection, as she addresses the possibilities of art today, favoring excess over good taste, wrestling over dandyism, forms over symbols, with as much critical sense as humor.
Based in New York City, Amy Sillman (born 1955) is an artist whose work consistently combines the visceral with the intellectual. She began to study painting in the 1970s at the School of Visual Arts and she received her MFA from Bard College in 1995. Her work has been exhibited internationally, including at the Whitney Biennial in 2014; her writing has appeared in Bookforum and Artforum, among other publications. She is currently represented by Gladstone Gallery, New York.
PUBLISHER After 8 Books
BOOK FORMAT Paperback, 4.75 x 7.25 in. / 272 pgs / 60 bw.
PUBLISHING STATUS Pub Date 10/20/2020 Forthcoming
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2020 p. 60
PRODUCT DETAILS ISBN 9782955948651TRADE List Price: $24.95 CDN $34.95
AVAILABILITY Awaiting stock
STATUS: Forthcoming | 10/20/2020
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Published by Dancing Foxes Press/Portikus, Frankfurt. Text by Yve-Alain Bois, Manuela Ammer. Interview by Fabian Schöneich.
New York–based Amy Sillman (born 1955) is one of the most beloved and quietly influential contemporary American artists. The ALL-OVER provides a comprehensive overview of her most recent bodies of work, including painting and serially exhibited large-scale abstractions, as well as diagrams, drawings, animations and sculpture.
The title of the book, and the exhibition it accompanies at Frankfurt's Portikus, refers to a concept often used to describe abstract painting (the classic instance of which is the work of Jackson Pollock). Much of Sillman’s oeuvre can be categorized as such, although her abstractions often suggest recognizable forms and figures. In the 24-canvas series Panorama, motifs seem to run continuously around the walls of the exhibition space, but in fact are repeated prints of the artist’s drawings with painterly interventions. The materiality is lost through the superimposition of print and oil paint; what remains is pure color and gesture. Also present here are stills from an animation developed by Sillman to be exhibited alongside Panorama and an insert made especially for the book by the artist. Alongside essays by Manuela Ammer, Yve-Alain Bois and Sillman herself. The book includes a conversation with the artist by Fabian Schöneich.
PUBLISHER Dancing Foxes Press/Portikus, Frankfurt
BOOK FORMAT Hardcover 7.75 x 10.5 in. / 164 pgs / 95 color.
PUBLISHING STATUS Pub Date 9/26/2017 Active
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2017 p. 121
PRODUCT DETAILS ISBN 9780998632629TRADE List Price: $40.00 CDN $54.00 GBP £35.00
AVAILABILITY In stock
in stock $40.00
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
Published by Gregory R. Miller & Co.. Text by Wayne Koestenbaum.
Works on Paper marks the first major publication of the work of noted New York painter Amy Sillman, whose rapidly growing reputation and increasingly recognized influence on other artists make its timing ideal. Her paintings and drawings are at once narrative and decorative, filled with quirky figures and diminutive, patterned elements. Her works on paper, which she considers particularly central to her art-making practice and her wider portfolio, are often made up of multiple components. They create the feeling of an extended and meandering sequence of events, and have been described as reminiscent of both film loops and long letters to her viewers. Works on Paper consists of four major series of Sillman's drawings, all recent and documented by brilliant full-color photographs. It also includes an essay by acclaimed writer Wayne Koestenbaum, who has long been celebrated for both his poetry and prose, and who has become one of our most innovative and influential writers on contemporary art and culture. His lavish, seductive and humorous writing style is the perfect complement to Sillman's lyrical works. This book is a delightful introduction to a rising star.