Edited by Leontine Coelewij, Clément Dirié, Magali Reus. Foreword by Beatrix Ruf. Text by Liam Gillick, Kirsty Bell, Andrew Bonacina, Leontine Coelewij, Andrew Durbin.
Hbk, 8 x 10 in. / 144 pgs / 140 color. | 8/22/2017 | In stock $39.95
Published by JRP|Editions. Edited by Irma Boom. Text by Anthony Huberman, Daisy Lafarge, Steve Zultanski.
This immersive artist's book presents three new series by Dutch artist Magali Reus (born 1981): the Settings sculptural series of transformed No Parking signs, and the photo-series Trucks and Flowers.
Published by Walther König, Köln. Edited by Julia Mullié. Text by Kathryn Scanlan.
London-based Dutch artist Magali Reus (born 1981) presents a series of close-up photographs of mushrooms against backdrops of colorful vintage t-shirts, all set within the pages of a 1990s telephone directory for Park Cities, Dallas.
Published by JRP|Ringier. Edited by Leontine Coelewij, Clément Dirié, Magali Reus. Foreword by Beatrix Ruf. Text by Liam Gillick, Kirsty Bell, Andrew Bonacina, Leontine Coelewij, Andrew Durbin.
Dutch-born, London-based artist Magali Reus (born 1981) is one of the most acclaimed new voices in contemporary sculpture. Published for her exhibition at the Stedelijk Museum, this is the first monograph on her work. It features her recent series (Parking, Lukes, Dregs, In Place Of and Leaves) and new sculptures created for the Stedelijk, plus an interview with Reus by curators Leontine Coelewij and Andrew Bonacina, and contributions by Stedelijk director Beatrix Ruf, artist Liam Gillick, art critic Kirsty Bell and writer Andrew Durbin. Renowned for her interest in the relationship between mass-produced objects such as fridges, padlocks and seating, and the human body in the context of today’s digital society, Reus draws on a vast range of influences and references, from the domestic to the industrial.
Spring for a Ground / Particle of Inch / Halted Paves / Quarters
Published by Mousse Publishing. Text by Andrew Bonacina, Ruba Katrib.
In 2015, Magali Reus (born 1981) opened the first of four exhibitions co-commissioned by SculptureCenter, New York; Hepworth Wakefield, England; Westfälischer Kunstverein, Münster, Germany; and Fondazione Sandretto Re Rebaudengo, Turin, Italy. The culmination of these projects is documented here.