Published by Verlag für moderne Kunst. Edited with preface by Helen Hirsch. Text by Soyoung Yoon. Interview with Laurent Stalder by Simone Büsch-Küng.
This book presents works by New York-based sculptor Sarah Oppenheimer (born 1972), who creates manipulations of standardized spaces, particularly white-cube galleries, using mirrors and misshapen architectural elements to distort perspective.
Published by Wexner Center for the Arts. Foreword by Sherri Geldin. Introduction by Meagan Cavanaugh. Text by Alexander R. Galloway, Laurent Stalder.
S-337473 accompanies Sarah Oppenheimer’s (born 1972) exhibition at the Wexner Center. The project spotlights Oppenheimer’s current investigation of the switch, and how such a device might be able to work in space to generate a matrix of views that cannot be experienced by an individual simultaneously. The illustrated catalog includes new photography of the work in situ and documentation of her cross-disciplinary collaborations, along with newly commissioned essays by scholars, including Alexander R. Galloway (Professor of Media, Culture and Communication at NYU) and Laurent Stalder (Chair for the Theory of Architecture at the ETH in Zurich).
Published by Mills College Art Museum. Introduction by Stephanie Hanor. Text by Julian Rose, Stephanie Weber.
The work of New York–based artist Sarah Oppenheimer (born 1972) spans the boundaries between sculpture and architecture, exploring how space is animated and experienced in order to provide a deeper understanding of architecture as a constructed social environment. Her investigations are particularly relevant within museums, where architecture frames and guides how visitors see and interact with both space and, importantly, the people and objects in that space. This publication examines the research and development that is intrinsic to Oppenheimer’s built installations, through previously unseen archival materials such as drawings, prototypes, physical models, light studies and customized computer code. It focuses on two related projects: D-33, at PPOW, New York (2012), and 33-D, at Kunsthaus Baselland, Switzerland (2014). This work highlights the physical and conceptual specificity of Oppenheimer’s practice and reflects the complexity of her methods for manipulating the built environment.
PUBLISHER Mills College Art Museum
BOOK FORMAT Paperback, 6.5 x 9.5 in. / 184 pgs / 87 color / 8 bw.
PUBLISHING STATUS Pub Date 1/26/2016 Active
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2016 p. 197
PRODUCT DETAILS ISBN 9780985460013FLAT40 List Price: $35.00 CDN $47.50 GBP £30.00
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