Mike Kelley Art Monographs and Museum Exhibition Catalogs

Mike Kelley/Paul McCarthy/Violent Onsen Geisha. Comp O.S.O.

Published by Compound Annex Records.

Mike Kelley, Paul McCarthy, and Violent Onsen Geisha reunite in a concert recorded at the Secession in Vienna in 1998. Performed on a stage built in Kelley and McCarthy's full-scale military tent encampment - you've never heard a USO show like this! (Original Release Date: 2003)

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Mike Kelley and Scanner. Esprits de Paris

Published by Compound Annex Records.

Scanner and Mike Kelley teamed up to produce Esprits de Paris for the Sonic Process exhibition at the Pompidou Center in Paris in 2002. Composed from anomalous sounds found on blank digital minidiscs "exposed" to various historically-loaded locales in Paris, this is a subtle and beautiful, one hour-long, electronic music composition that explores the "ghost in the machine" - a tribute to the pioneers of the "Electronic Voice Phenomena": Friedrich Jürgenson, Attila von Szalay, and Konstantin Raudive. Original Release Date: 2003)

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Destroy All Monsters. The Detroit Oratorio

Published by Compound Annex Records.

Featuring recordings from concerts in Tokyo, Osaka, Rotterdam, Vienna, and Los Angeles. With special guest musicians: Scanner, Charlemagne Palestine, and Violent Onsen Geisha .(Original Release Date: 2003)

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Jean Baudrillard with the Chance Band. Suicide Moi

Published by Compound Annex Records.

Unbelievable but true! Baudrillard recites his poetry backed by an all-star band featuring Tom Watson, Mike Kelley, George Hurley, Lynn Johnston, Dave Muller, and Amy Stoll. Special guest vocalist Allucquère Rosanne Stone. Recorded live as part of the Chance Festival at Whiskey Pete's Casino in Stateline, Nevada, 1996. You've never heard Baudrillard like this before! (Original Release Date: 2002)

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Mike Kelley/Paul McCarthy/Violent Onsen Geisha. Sod and Sodie Sock / Studio C

Published by Compound Annex Records.

This 2CD pair features performances in Tokyo in 1996. Sod and Sodie Sock documents a performance at the P-House Gallery, where the three musicians performed together and separately. The action extended beyond the gallery, into the street in front, and down the block to a local hair salon. Recordings documenting the simultaneous activities of Kelley, McCarthy, and Violent Onsen Geisha have been combined to allow the listener to experience the entire group of, spatially separated, performances at once. Studio C features improvisations recorded in a sound studio environment. East meets West in this collaboration between renowned American West Coast and Japanese noise giants. A must for fans of Japanese noise music, and fans of the Los Angeles Free Music Society. (Original Release Date: 2003)

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Compound Annex Records

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Gobbler. Skin of Flesh All Mighty!

Published by Compound Annex Records.

By art world all-star band: Art Byington, Cameron Jaime, Mike Kelley, Paul McCarthy, and Dave Muller. Scary meandering sounds, perfect for secret meetings in secluded caves. 13 evil tracks. (Original Release Date: 1997)

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The Poetics. Critical Inquiry in Green

Published by Compound Annex Records.

Kelley and Oursler reunited in 1997 to make this recording coinciding with the opening of the Poetics Project installation at Document X. All new material; 19 tracks. Dreary background music for the era of the personal computer. Features musicians: Art Byington, Dave Muller, and Steven Vitiello. (Original Release Date: 1998)

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The Poetics. Remixes of Recordings 1977 to 1983 (3 CD)

Published by Compound Annex Records.

(3CD) A three CD box set with booklet chronicling the music and sound experiments of Kelley and Oursler in the late Seventies and early Eighties. Includes pieces composed for video soundtracks, dance performances, etc. Moody, twisted, soundtracks of the mind. Over 90 tracks. If you like the early noise version of Destroy All Monsters, you'll like this. Features musicians: John Miller, Bill Stobaugh, John Arnheim, etc. (Original Release Date: 1996)

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Mike Kelley: Minor Histories

Published by MIT.

What John C. Welchman calls the "blazing network of focused conflations" from which Mike Kelley's styles are generated is on display in all its diversity in this second volume of the artist's writings. The first volume, Foul Perfection, contained thematic essays and writings about other artists; this collection concentrates on Kelley's own work, ranging from texts in "voices" that grew out of scripts for performance pieces to expository critical and autobiographical writings. Minor Histories organizes Kelley's writings into five sections. "Statements" consists of twenty pieces produced between 1984 and 2002 (most of which were written to accompany exhibitions), including "Ajax," which draws on Homer, Colgate- Palmolive, and Longinus to present its eponymous hero; "Some Aesthetic High Points," an exercise in autobiography that counters the standard artist bio included in catalogs and press releases; and a sequence of "creative writings" that use mass cultural tropes in concert with high art mannerisms--approximating in prose the visual styles that characterize Kelley's artwork. "Video Statements and Proposals" are introductions to videos made by Kelley and other artists, including Paul McCarthy and Bob Flanagan and Sheree Rose. "Image-Texts" offers writings that accompany or are part of artworks and installations. This section includes "A Stopgap Measure," Kelley's zestful millennial essay in social satire, and "Meet John Doe," a collage of appropriated texts. "Architecture" features an discussion of Kelley's Educational Complex (1995) and an interview in which he reflects on the role of architecture in his work. Finally, "Ufology" considers the aesthetics and sexuality of space as manifested by UFO sightings and abduction scenarios.

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MIT

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Mike Kelley: Foul Perfection

Published by MIT.

The work of artist Mike Kelley (b. 1954) embraces performance, installation, drawing, painting, video, and sculpture. Drawing distinctively on high art and vernacular traditions, including historical research, popular culture, and psychology, Kelley came to prominence in the 1980s with a series of sculptures composed of craft materials. His recent work offers dialogues with architecture and with repressed memory syndrome, and a sustained inquiry into his own aesthetic and social history. The subjects on which Kelley has written are as varied as his artistic media. They include the work of fellow artists, sound, caricature, the uncanny, UFOlogy, and gender-bending.This book offers a diverse collection of Kelley's writings from the last twenty-five years. It contains major critical texts on art, film, and the wider culture, including his piece on the aesthetic he calls "urban Gothic."

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MIT

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Mike Kelley, Paul McCarthy, Raymond Pettibon: Pay for Your Pleasures

Published by Chicago.

Mike Kelley, Paul McCarthy, and Raymond Pettibon—these Southern California artists formed a “bad boy” trifecta. Early purveyors of abject art, the trio produced work ranging from sculptures of feces to copulating stuffed animals, and gained notoriety from being perverse. Showing how their work rethinks transgressive art practices in the wake of the 1960s, Pay for Your Pleasures argues that their collaborations as well as their individual enterprises make them among the most compelling artists in the Los Angeles area in recent years.

Cary Levine focuses on Kelley’s, McCarthy’s, and Pettibon’s work from the 1970s through the 1990s, plotting the circuitous routes they took in their artistic development. Drawing on extensive interviews with each artist, he identifies the diverse forces that had a crucial bearing on their development—such as McCarthy’s experiences at the University of Utah, Kelley’s interest in the Detroit-based White Panther movement, Pettibon’s study of economics, and how all three participated in burgeoning subcultural music scenes. Levine discovers a common political strategy underlying their art that critiques both nostalgia for the 1960s counterculture and Reagan-era conservatism. He shows how this strategy led each artist to create strange and unseemly images that test the limits of not only art but also gender roles, sex, acceptable behavior, poor taste, and even the gag reflex that separates pleasure from disgust. As a result, their work places viewers in uncomfortable situations that challenge them to reassess their own values.

The first substantial analysis of Kelley, McCarthy, and Pettibon, Pay for Your Pleasures shines new light on three artists whose work continues to resonate in the world of art and politics.

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Chicago

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Mike Kelley (Contemporary Artists (Phaidon))

Published by Phaidon.

Mike Kelley (b.1954) is one of the best contemporary examples of an artist who, like Yves Klein, Piero Manzoni and Vito Acconci before him, combines sculpture with performance. Best known for his assemblage sculptures made from stuffed children's toys, often set upon the 'stage' of a homemade Afghan rug, Kelley draws upon the Modernist traditions of the found object and collage in his colourful, irreverent sculptures. Childhood and adolescence are referenced with all the sexual ambiguity, tastelessness and low humour associated with those age groups. His attitude of aesthetic disobedience, bridging 'low' (crafts) and 'high' (sculpture, painting) forms of art, has its roots in the rejection of the social and moral fabric of American culture. Despite his subversion and anti-art tactics, Kelley has been recognized since the 1980s by the international art world as one of the most significant and representative artists working today in the United States, and his work has been shown at venues as diverse as the Los Angeles County Museum of Art and Paris's Musee du Louvre. In the Survey, California-based art historian and critic John C. Welchman exmaines Kelley's relationship to 1970s post-Minimalism, American popular cultures, 1980s appropriation and the conceptual vernacular of the 1990s. German art critic and editor Isabelle Graw discusses with the artist his aesthetic and symbolic strategies in the cultural contexts of America and Europe. In the Focus, architectural theorist Anthony Vidler explores the psycho-geography of Kelley's Educational Complex (1995), an architectural model based on the artist's memory traces of his educational environs. For the Artist's Choice, Kelley has selected two early twentieth-century texts that have influenced his investigations of primal psychological drives and aesthetics: The Use Value of D. A. F. de Sade (An Open Letter to My Current Comrades) (1929) by Georges Bataille and The Book of the Damned (1919) by Charles Fort. Mike Kelley's writings include project descriptions and accompanying texts from his major works; a retrospective view of his radical rock band Destroy All Monsters; and essays on prevailing themes, such as caricature, in the cultural history of representation.

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Phaidon

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Mike Kelley: Exploded Fortress of Solitude

Published by Rizzoli.

A catalogue documenting the last two exhibitions of new work by American artist Mike Kelley, held in 2011 at Gagosian Gallery in Los Angeles and London. Mike Kelley made nostalgia, memory, and repression in everyday life the topics of his idiosyncratic sculptures, performances, paintings, and installations, which conflate vernacular sources and high modernist aesthetics. A veteran of the Los Angeles conceptual art scene, Kelley used deconstructive strategies in order to challenge the established norms of contemporary culture, both high and low.

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Rizzoli

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Michael Smith: Baby Ikki at the Museum

Published by Yale/Whitney Museum of Art.

Michael Smith (b. 1951) is known for his groundbreaking work in performance art as well as his immersive mixed media installations. Since 1979, the majority of his work has centered on his extraordinarily prescient and sympathetic character, Mike. Smith's other recurring performance persona is Baby Ikki, whose bizarre and precipitous infancy is marked by conspicuous facial hair, oversized diapers, and undersized sunglasses.

Formatted and designed like a children's board book, Baby Ikki at the Museum features the eighteen-month-old character posing in front of works of art in the Whitney Museum of American Art. He acts as a wide-eyed explorer wandering in a new world, examining and responding to works in the Museum's collection by pointing, staring, or offering quizzical looks. Lacking judgment, consideration, and caution, Baby Ikki possesses an abundance of curiosity and has an insatiable appetite for attention, even when posing with priceless works of art. Providing an entirely new angle from which to view a premier art institution, the photographs in this book are at times comedic and at others unsettling for their irreverence and perceptiveness.

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Yale/Whitney Museum of Art

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Roselee Goldberg: Performance Art: From Futurism to the Present

Published by Thames and Hudson.

This pioneering book has now been expanded with a new chapter that brings it into the second decade of the twenty-first century, mapping the global rise of performance to the present day. RoseLee Goldberg explores contemporary artists’ approaches to politics, tradition, social engagement, and the art world itself, while evaluating the changing status of performance and its ever-increasing relevance to artists and audiences.

Featuring recent work by leading performance artists such as Marina Abramovic, Walid Raad, Francis Alys, Pierre Huyghe, Tino Sehgal, and Sharon Hayes, the book covers a century of the medium. This new edition also includes an updated foreword and an expanded reading list. 206 black-and-white illustrations

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Thames and Hudson

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Mike Kelley: Kandors

Published by Chicago.

Kandor is the former capital of the doomed planet of Krypton—and the last surviving vestige of Superman’s destroyed home. Captured and miniaturized by an evil alien nemesis, it is now maintained by Superman under a glass bell in his icy headquarters, the Fortress of Solitude.

Because the image of Kandor was never codified, its depiction in comics has varied greatly over the years. Presenting a group of artworks entitled Kandors, American mixed-media artist Mike Kelley takes up this theme and realizes a number of versions of the imaginary city beneath enormous hand-blown glass bells. In spite of their obvious differences, they all claim to be the same city, showing Kandor to be both a constant and a continually reshaped relic of Superman’s traumatic childhood. Documenting the transformation of two-dimensional comic images into the fantastical sculptures reproduced here, the book chronicles Kelley’s attempts at a work that operates in three dimensions yet preserves the impression of graphic flatness.

Since Superman’s first appearance more than seventy years ago, he has become a full-fledged pop cultural icon, and his devotees will delight in the opportunity to delve deeper into his backstory. Fans of comic books, graphic novels, and contemporary art will also be enchanted by this fascinating look at the show Frieze Magazine called “a visual tour de force, a ghostly yet breathtaking spectacle that leaves gallery-goers feeling as though they’ve landed on another planet.”

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Chicago

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Destroy All Monsters: Live in Tokyo + Osaka CD

Published by Forced E/Compund Annex Records.

Reissue of this album, previously available on Compund Annex Records, originally released in 2004. "Live recordings of DAM performances in Tokyo and Osaka, Japan, from 1996. This 17 track, 72-minute CD contains early revamped DAM classics of 'You Can't Kill Kill' and 'Evil Works,' plus many newer exotic oddities like 'Indecipherable' and 'Show No Shame.' Included are cover versions of The Seeds' '900 Million People Daily All Making Love' and the most bizarre cover yet of Jon Anderson's Yes classic, 'Clear Day.' Stretching out into spacey sonic territory, DAM attacks live in Japan at their crusty best with original founding members Mike Kelley, Jim Shaw and Cary Loren supported by Art Byington and Dave Muller."

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Forced E/Compund Annex Records

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Mike Kelley

Published by Prestel.

This thematic retrospective catalog is the most comprehensive volume ever published on the iconoclastic American artist Mike Kelley.

From the mid-1970s, Mike Kelley assembled an incredibly diverse and often controversial body of work. A multidisciplinary impresario, he created works on paper, paintings, sculpture, video, installation, and performance art that managed to be at once shocking yet humorous, complex yet accessible. This companion volume to a much-anticipated exhibition brings a fresh understanding to the artist’s work by seeking to address the more poetic aspects of Kelley’s work through Eva Meyer-Hermann’s unique curatorial approach. Here she presents individual works in new combinations that cross the boundaries of chronology, bodies of work, and former artistic project groups. Identifying themes such as architecture, language, identity, Informe, power, modernisms, nostalgia, and religion, the book represents ideas that have informed Kelley’s work throughout his career. As a result, the overarching lines of his oeuvre become visible and accessible. This book features essays, a fully annotated plate section, and a newly researched and revised biography and bibliography of Kelley’s work. The publication promises to be the definitive work on the artist.

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Prestel

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Mike Kelley: 99,9998% Remaining

Published by Walther König, Köln.
Edited with text by Harald Falckenberg.

99,9998% Remaining compiles essential documentation of the most important exhibitions of Mike Kelley (1954–2012) between 1982 and 2011, with reproductions of seminal works from various periods. It offers numerous stills from legendary videos by and/or with Kelley, such as Banana Man (1983), Heidi (1992) (in collaboration with Paul McCarthy), EVOL (1984, with Tony Oursler) and Sir Drone (1989, with Raymond Pettibon).
In an essay, Harald Falckenberg, one of the most important collectors of Kelley’s works, supplies a detailed overview of the artist's various periods of development, also investigating the influence of the art market on Kelley’s production and the reasons for Kelley's suicide in January 2012.

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Walther König, Köln

BOOK FORMAT
Paperback, 8.5 x 11 in. / 96 pgs / 140 color.

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Pub Date 11/20/2018
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Mike Kelley: Arenas

Published by Skarsdedt.
Text by Cary Levine.

Mike Kelley’s Arenas series of the late 80s and early 90s mark a shift away from the artist’s performance-oriented activity and towards a new sculptural dexterity, in which cultural resonance is elicited from an eerie reframing of everyday objects. First exhibited in 1990 at Metro Pictures, the Arenas are comprised of stuffed animals arranged around the edges of blankets (or occasionally posed isolate in their center). Ten or twenty such toys in such groupings might convey a cheery childhood picnic scenario, but Kelley rarely selects more than five or six, and places them carefully so that their cuddliness and their capacity to comfort is entirely canceled out. Instead, we encounter the toy as a commodity entity—a mass-manufactured product positioned to enter into play but far from inviting it. Skarstedt’s exhibition of seven of the eleven Arenas is here recorded in superb installation shots and with critical commentary.

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Skarsdedt

BOOK FORMAT
Hardcover, 8.75 x 11.25 in. / 44 pgs / 32 color.

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Pub Date 5/31/2011
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Mike Kelley: Educational Complex Onwards 1995-2008

Published by JRP|Ringier.
Edited by Anne Pontégnie. Text by Mike Kelley, Anne Pontégnie, Diedrich Diederichsen, Howard Singerman.

In 1995, Mike Kelley devised the Educational Complex, an amalgam of every school he attended and of the house he grew up in, "with all the parts I couldn't remember left out"--a total environment, "sort of like the model of a Modernist community college." The blind spots in this model represent forgotten ("repressed") zones, and so are reconceived by Kelley as sites of institutional abuse, for which specific traumas were devised (each having their own video and sculptural component). For Kelley, this work marks the beginning of a series of projects in which pseudo-autobiography, repressed-memory syndrome and the reinterpretation of previous pieces become the tools for a poetic deconstruction of such complexes and the way we interact with and narrate them. Educational Complex Onwards, 1995-2008 is the first book to collect these works. Each project within the series is extensively documented by artist's texts and reference material, while essays by Diedrich Diederichsen, Howard Singerman and Anne Pontégnie examine the place of this body of work within Kelley's oeuvre.

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JRP|Ringier

BOOK FORMAT
Hardcover, 10.25 x 12 in. / 344 pgs / 300 color.

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Pub Date 1/31/2010
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Mike Kelley: Memory Ware, Wood Grain, Carpet

Published by JRP|Ringier.
Edited by Emi Fontana.

Memory Ware, Wood Grain, Carpet: these three series are brought together for this insightful publication. Kelley consciously presents a nexus of works whose similar surface treatments and presentation inevitable evoke Modernist painting history. Emi Fontana writes: “Popularly known as the master of exercises in garbage style, Kelley is in reality Mr. Clean. He situates his output within a wider system, that of recent Modernist art history, appropriating Modernism's structures, acting from within but without exercising the appropriational coldness common to the gestures of many American artists of his generation.” 53 images present Kelley's most recent works in vivid color.

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JRP|Ringier

BOOK FORMAT
Hardcover, 12 x 9.5 in. / 48 pgs / 53 color.

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Pub Date 3/15/2005
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Mike Kelley: The Uncanny

Published by Walther König, Köln.
Essays by Mike Kelley, Christoph Grunenberg.

Taking Freud's idea of the Uncanny as a starting point, artist Mike Kelley plays Sunday curator and presents work by Jasper Johns, Paul McCarthy, Jeff Koons, Tony Oursler, and others (reprinted from a 1993 catalogue), plus photos of chewing gum wrappers, postcards, record covers, and toys, all connected to ideas of youth and the Uncanny.

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Walther König, Köln

BOOK FORMAT
Paperback, 8.25 x 11.25 in. / 263 pgs / 150 color

PUBLISHING STATUS
Pub Date 5/2/2004
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Catalog: FALL 2004

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Mike Kelley

Sublevel: Dim Recollection Illuminated by Multicolored Swamp Gas

Published by Walther König, Köln.
Artwork by Mike Kelley.

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Walther König, Köln

BOOK FORMAT
Paperback, 8.5 x 10.75 in. / 64 pgs / 25 color.

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Pub Date 3/2/2000
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Mike Kelly: A Conversation

Published by Cantz.
Artwork by Mike Kelley. Edited by Thomas Kellein.

How Mike Kelley's work has evolved and where it is going since his dramatic debut on the international art scene is the subject of this small-format book, published as part of Cantz's series dedicated to contemporary artists.

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Cantz

BOOK FORMAT
Paperback, 6 x 7.75 in. / 40 pgs / 11 color / 4 bw

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Pub Date 7/2/1996
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Catalog: FALL 1996

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STATUS: Out of print | 4/23/2003

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Mike Kelley/ Scott Benzel. Profondeurs Vertes

Published by Compound Annex Records.

Profondeurs Vertes is the title of a three-channel video installation produced by Mike Kelley for the Louvre, Paris, in 2006. The music on this CD functions as the soundtrack music for the three videos. Profondeur Vertes begins with a Traditional Sea Chanty complete with waves, creaking timbers, and seagulls, moving into an airy Romantic-era piano and harp piece based on Charles Tomlinson Griffes’ Veil of Dreams which then transitions into an orchestral rendition of the Shark Attack from John Singleton Copley’s painting “Watson and the Shark”; more Chanty’s follow and a rendition of Lautréamont’s Maldoror recited in French complete the cycle of Kelley’s thought.

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Compound Annex Records

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ISBN CA039 RETAIL
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Mike Kelley. Platos Cave, Rothkos Chapel, Lincolns Profile (with Sonic Youth)/ The Peristaltic Airwaves

Published by Compound Annex Records.

This two CD set includes remastered recordings of Kelley’s 55 minute performance poem, Plato’s Cave, Rothko’s Chapel, Lincoln’s Profile at Artists Space, New York on Dec. 5th, 1985 and The Peristaltic Airwaves, a live performance that aired on KPFK Radio, Los Angeles on September 30th, 1986. The only existing audio documentation of Mike Kelley’s groundbreaking performance work. Plato’s Cave Rothko’s Chapel, Lincoln’s Profile in Kelley’s words was the “longest and most elaborate” of the texts he’d written for solo performance. With Molly Cleator, incidental music by Sonic Youth and Adam Rudolph, this CD showcases Kelley’s humorous and profane text from the performance, a didgeridoo, and scorching noise from the band. The Peristaltic Airwaves- a live radio broadcast- draws on similar material and employs sound effects, a house band, call-ins, and other live radio staples to create a unique and jarring quasi-narrative collage. With Jack Skelley and Nic Greene, Dave Childs and Nancy Evans. Coproduced by High Performance Magazine and Jacki Apple for “Soundings” on KPFK Pacifica Radio.

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Compound Annex Records

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ISBN CA038 RETAIL
List Price: $20.00 CDN $20.00

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Temporarily out of stock pending additional inventory.

Mike Kelley. Vice Anglais (LP)

Published by Compound Annex Records.

Written in response to: Robert M. Cooper's Lost on Both Sides, Dante; Gabriel Rossetti: Critic and Poet. Written by Mike Kelley. Produced by Mike Kelley and Scott Benzel. Music by Scott Benzel. (Original Release Date: 2011)

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Compound Annex Records

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ISBN CA036 RETAIL
List Price: $16.00 CDN $16.00

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Jim Shaw and Mike Kelley. Duets (1975-1976) (2CD)

Published by Compound Annex Records.

A 2-CD collection of Shaw/Kelley Duets from the early Destroy All Monsters period. Primarily featuring Shaw on guitar and Kelley on percussion, these extended improvisations also incorporate tape loops, tape collage, and primitive electronics. (Original Release Date: 2011)

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Compound Annex Records

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ISBN CA034 RETAIL
List Price: $15.00 CDN $15.00

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Jim Shaw. Solo Works (1975-1979) (8CD)

Published by Compound Annex Records.

An 8-CD box set of solo recordings by Shaw produced during, and just after, the period of his involvement with the early improvisational incarnation of the proto-noise band Destroy All Monsters. There guitar assaults, tape cut-ups, and loop experiments are guaranteed to turn your mind to jelly. (Original Release Date: 2011)

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Compound Annex Records

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ISBN CA026 RETAIL
List Price: $30.00 CDN $30.00

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Mike Kelley. Kandor 10/Extracurricular Activity Projective Reconstruction #34; Kandor 12/Extracurricular Activity Projective Reconstruction #35

Published by Compound Annex Records.

Original Motion Picture Soundtrack for videos originally presented at the Gagosian Gallery in Beverly Hills, California in 2011. Moody evocations of exotic and decrepit alien cultures. Music by Mike Kelley. Produced by Mike Kelley and Scott Benzel. (Original Release Date: 2011)

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Compound Annex Records

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ISBN CA025 RETAIL
List Price: $12.00 CDN $12.00

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Temporarily out of stock pending additional inventory.

Dolphin Explosion. Boogieman

Published by Compound Annex Records.

13 songs written and performed by 7-year-old Ariel Mira West and 6-year-old Colette Weber Shaw, accompanied by Mike Kelley on drums and Marnie Weber on keyboards. Raw and joyous celebrations of the wonders of chocolate, chocolate, and more chocolate - plus dolphins. Recorded 2006 at Compound Annex, Los Angeles. Boogie Man performed live in Chinatown, Los Angeles. (Original Release Date: 2011)

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Compound Annex Records

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ISBN CA024 RETAIL
List Price: $12.00 CDN $12.00

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Masaya Nakahara, Paul McCarthy, Mike Kelley. 10:30 PM, August 14, 2008 (DVD)

Published by Compound Annex Records.

Video registration of a great performance by Japanese noise musician Masaya Nakahara (Violent Onsen Geisha, Hair Stylistics) and artists/musicians Mike Kelley and Paul McCarthy in Los Angeles, 2008.

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Compound Annex Records

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ISBN CA022 RETAIL
List Price: $20.00 CDN $20.00

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Mike Kelley and Scott Benzel. Dance Beats for Baby with Baby Ikki

Published by Compound Annex Records.

Produced in conjunction with Mike Kelley and Michael Smith's installation, A Voyage of Growth and Discovery, this CD features throbbing techno tracks like Beech-Nut Stage 1, K-Y Hole, and Gerber Gerbil that will entertain and self-soothe for hours. Guest vocals by Baby IKKI! (Original Release Date: 2009)

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Compound Annex Records

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ISBN CA020 RETAIL
List Price: $12.00 CDN $12.00

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Destroy All Monsters. 1974-76 (3 CD) Gospel Crusade / Crying in Bed / To the Throne of Chaos where the Thin Flutes Pipe Mindlessly

Published by Compound Annex Records.

The 3 CD set that introduced the world to the pre-punk DAM. Out of the gloomy basements of Ann Arbor Michigan flowed the horrid strains of a music never before heard. Experience it in all of its musty glory. 76 tracks on 3 CDs: Gospel Crusade / Crying in Bed / To the Throne of Chaos where the Thin Flutes Pipe Mindlessly. (Original Release Date: 1995)

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Compound Annex Records

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ISBN CA017 RETAIL
List Price: $20.00 CDN $20.00

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Destroy All Monsters. Double Sextet LP

Published by Compound Annex Records.

Recorded in Ann Arbor circa 1975, this vinyl jewel features Jeff Fields, Mike Kelley, Cary Loren, Kalle Nemvalts, John Reed and Jim Shaw.(Original Release Date: 2009)

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Compound Annex Records

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ISBN CA016 RETAIL
List Price: $16.00 CDN $16.00

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Mike Kelley. Yummy Puffy Mommy Yoni

Published by Compound Annex Records.

Mike Kelley performs ethereal melodies on the Alesis QS6.1 electric keyboard. Trip the light fantastic to 26 tracks including "Outer Rink Magnifique," "Vanginus," "Curling Flakes in Eternal Haze," and "Panting Mancini." (Original Release Date: 2008)

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Compound Annex Records

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ISBN CA015 RETAIL
List Price: $12.00 CDN $12.00

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Mike Kelley and Scott Benzel. Day Is Done: Original Motion Picture Soundtrack (2CD)

Published by Compound Annex Records.

The original soundtrack to Mike Kelley's Gesamtkunstwerk! Music by Mike Kelley and Scott Benzel. (Original Release Date: 2005)

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Compound Annex Records

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ISBN CA014 RETAIL
List Price: $15.00 CDN $15.00

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Mike Kelley

Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays

Edited with text by Harald Falckenberg.

Edited by Anne Pontégnie. Text by Mike Kelley, Anne Pontégnie, Diedrich Diederichsen, Howard Singerman.

Artwork by Mike Kelley.

Text by Cary Levine.

Edited by Emi Fontana.

Essays by Mike Kelley, Christoph Grunenberg.

Artwork by Mike Kelley. Edited by Thomas Kellein.

Published by Compound Annex Records.

PUBLISHER Compound Annex Records

Published by Compound Annex Records.

PUBLISHER Compound Annex Records

Published by Compound Annex Records.

PUBLISHER Compound Annex Records

Published by Compound Annex Records.

PUBLISHER Compound Annex Records

Published by Compound Annex Records.

PUBLISHER Compound Annex Records

Published by Compound Annex Records.

PUBLISHER Compound Annex Records

Published by Compound Annex Records.

PUBLISHER Compound Annex Records

Published by Compound Annex Records.

PUBLISHER Compound Annex Records

Published by MIT.

PUBLISHER MIT

Published by MIT.

PUBLISHER MIT

Published by Chicago.

PUBLISHER Chicago

PUBLISHER
Compound Annex Records

PUBLISHER
Compound Annex Records

PUBLISHER
Compound Annex Records

PUBLISHER
Compound Annex Records

PUBLISHER
Compound Annex Records

PUBLISHER
Compound Annex Records

PUBLISHER
Compound Annex Records

PUBLISHER
Compound Annex Records

PUBLISHER
MIT

PUBLISHER
MIT

PUBLISHER
Chicago