Published by The Pulitzer Foundation for the Arts. Text by Ann Hamilton, Matthias Waschek, Steven Henry Madoff.
Ann Hamilton’s Stylus installation at The Pulitzer Foundation for the Arts in St. Louis was conceived as both sanctuary and laboratory--an attempt to link “the building’s interior state of reflection and contemplation to the world outside its opaque walls.” Employing such elements as the silence of a waving hand, the vibratory clicking of thousands of Mexican jumping beans and a set of speakers telling stories to the sky, the Stylus project transformed the Pulitzer space into a unique audio and visual environment. Hamilton’s haunted call and response responded directly to the Tadao Ando-designed building, animated by acoustic elements developed in collaboration with composer and sound designer Shahrokh Yadegari. This volume both documents and builds upon the installation with texts by the artist, exhibition curator Matthias Waschek and Steven Henry Madoff, photographs of the exhibition and an image-based inventory of the artist’s materials and process.
PUBLISHER The Pulitzer Foundation for the Arts
BOOK FORMAT Clth, 7 x 10 in. / 128 pgs / 50 color.
PUBLISHING STATUS Pub Date 4/30/2012 Active
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2012 p. 94
PRODUCT DETAILS ISBN 9780982334713TRADE List Price: $35.00 CDN $47.50 GBP £30.00
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Published by Gregory R. Miller & Co.. Essay by Joan Simon.
Ann Hamilton: An Inventory of Objects is a major new publication of the work of one of today's most important and influential artists. The book is a comprehensive catalogue of Hamilton's object-based work from 1984 to 2006. The more than 130 color plates document photographs, sculpture, video, audio and language pieces (both unique and editioned), as well as multiples and prints. Many of the objects relate to the large-scale installations for which Hamilton is internationally known. Each object in the inventory is accompanied by a text by Joan Simon, who also contributes a significant new essay setting Hamilton's objects in critical context. The complete inventory of Hamilton's objects made over the past 20-plus years is reproduced in this essential publication, which also contains an extensive biography, bibliography and index. The book, designed by the Swedish designer Hans Cogne in conversation with Ann Hamilton, is a beautiful object in its own right and evokes many of the conceptual qualities of Hamilton's art.
Published by Hatje Cantz. Artwork by Ann Hamilton. Contributions by Bernhard Schwenk. Text by Tomoaki Kitagawa, Takao Ueda.
The installations created by American artist Ann Hamilton are as atmospheric as they are intellectually complex, as grandiose and whimsical as they are serious and political. Whether she is employing tons of work clothes, a herd of ostriches, thousands of dollars' worth of pennies, kilometers of typewriter ribbon, loaves and loaves of bread dough, or teams of volunteer workers, Hamilton's process-oriented, site-specific environments incorporate viewers, teaching them to use their senses anew. In one of her most recent and spectacular works, which gives its name to this book, the artist inhabited a former torpedo factory at Yokosuka--a symbol-laden place in Japan, consecutively used by domestic and American armies for extensive military bases--and hung charcoal rods from the ceiling on strings of different length. The result was a space oppressed by the heavy shadows of the dense, blackened mass of dead matter that hung from above, filled with an abysmal sadness that conjured up the darker chapters of the history of Japanese-American relations.
Published by Wexner Center for the Arts. Artwork by Ann Hamilton. Contributions by Sherri Geldin, Sarah Rogers.
Ann Hamilton is internationally renowned for her complex environmental installations that emphasize tactility and blur the borders between bodies and objects. Produced in lieu of a standard exhibition catalogue by the Wexner Center for the Arts, this CD-ROM is structured around 10 projects.
Published by Dia Art Foundation. Artwork by Ann Hamilton. Text by Lynne Cooke.
For Tropos, Ann Hamilton spread a sea of horsehair across the 5000 square feet of a factory building. Varying in color and sewn together in bundles, this hair was navigated by visitors, while in the middle of the room sat a lone figure at a desk, whose task was to read and burn each line of a text in a book; from somewhere outside the building came the strangulated garble of a man attempting speech. This surreal environment, with its attendant sense of dream landscape and half-formed associations, is classic Hamilton, at once seductive and disorienting. This book records the project.
Ann Hamilton: An Inventory of Objects
Ann Hamilton: The Picture Is Still
Ann Hamilton: Tropos