Swedish artist Andreas Eriksson’s (born 1975) series Cutouts is constructed from cut-out elements reconstituted from discarded paintings. In this volume, these components take on a new aesthetic life as the building blocks of abstract works.
Published by Walther König, Köln. Edited by Sara Arrhenius, Camilla Larsson, Pontus Kyander. Text by Kirsty Bell, et al.
This volume, the first publication on Swedish painter and photographer Andreas Eriksson (born 1975), complements the numerous artist's books and smaller project-specific publications previously produced by the artist, presenting works from the last ten years. Eriksson's paintings often draw on the tradition of Northern European Romanticism.