Edited with text by Cathleen Chaffee. Text by Rachel Adams, Vera Alemani, Constance DeJong, Diedrich Diederichsen, Anthony Elms, David Grubbs, Henriette Huldisch, Branden W. Joseph, Andrew Lampert, Christopher Müller, Annie Ochmanek, Tony Oursler, Tina Rivers Ryan, Jay Sanders, Paige Sarlin, Christopher Williams.
Pbk, 7.75 x 11 in. / 304 pgs / 125 color / 125 bw. | 2/19/2019 | In stock ISBN 9783960983361 | $45.00
Published by Primary Information. Edited by Constance DeJong, Andrew Lampert.
Essential writings from the downtown New York legend and polymath, pioneer of both structural film and drone music
Tony Conrad (1940–2016) was a legendary multidisciplinary artist known for his groundbreaking contributions in experimental film, music, and video. Upon moving to New York City in 1962, he began making music with John Cale, La Monte Young and Marian Zazeela in the Theatre of Eternal Music, a group that helped shape what would come to be known as minimalist music. He later went on to perform with Lou Reed in a pre-Velvet Underground band called The Primitives and cut a classic 1972 record with the German Krautrock band Faust that set a new standard for drone music.
In the 1960s and 1970s, Conrad was perhaps best known for his contribution to film, where he helped to redefine structural filmmaking with The Flicker and Yellow Movies. Conrad went on to create an extensive body of work in a variety of media such as installation, photography, and performance until his death in 2016.
Throughout his life, Conrad also wrote prolifically on topics including his own work (and that of his peers), music, art, media theory and activism. Writings is the first book devoted solely to Conrad's writing, collecting 57 hard-to-find or previously unpublished texts from 1961 to 2012. These writings provide a critical lens into the artist's multitudinous identities and wide-ranging creative pursuits and, as with his diverse artistic output, consistently challenge and dismantle authoritarian notions of culture.
Published by Koenig Books. Edited with text by Cathleen Chaffee. Text by Rachel Adams, Vera Alemani, Constance DeJong, Diedrich Diederichsen, Anthony Elms, David Grubbs, Henriette Huldisch, Branden W. Joseph, Andrew Lampert, Christopher Müller, Annie Ochmanek, Tony Oursler, Tina Rivers Ryan, Jay Sanders, Paige Sarlin, Christopher Williams.
Throughout his six-decade career, Tony Conrad (1940–2016) forged a unique path through numerous artistic movements and a vast range of cultural forms—from Fluxus to rock music, from structural film to public access television. Published on the occasion of the first large-scale museum survey devoted to works Conrad presented in museum and gallery settings, this richly illustrated catalogue offers an in-depth introduction to Conrad's life and career.
Including new texts and Conrad's own writings about selected works dating from 1966 to 2016, Introducing Tony Conrad surveys the artist's work in painting, sculpture, film, video, performance and installation. It includes the artist's early structural films; projects in which he treated film as a sculptural and performative material; his series of Invented Acoustical Tools, presented as sculptures themselves; his ambitious films about power relations, set in the military and in prison; and his final sculptures and installations, which evoke and critique what he perceived as an emerging culture of surveillance, control and containment. The list of contributors testifies to Conrad's wide and lasting influence; this volume includes texts by Constance DeJong, Diedrich Diederichsen, Anthony Elms, Branden W. Joseph, Tony Oursler and Christopher Williams, among many others.
Published by 80WSE Press. Edited by Michael Cohen. Text by Tony Conrad, Branden Joseph, Andrew Lampert, Tabea Lurke, Jay Sanders. Interview by Michael Cohen.
Tony Conrad: Doing the City is the first monograph printed to cover this pioneering film, video, music and installation artist's oeuvre of the last 50 years. The copiously illustrated, full-color catalogue includes essays by noted Columbia University art historian and Conrad scholar Branden Joseph; Whitney Museum Performance Curator and 2012 Whitney Biennial Curator Jay Sanders; filmmaker and Anthology Film Archives Curator Andrew Lampert; Swiss digital archivist Tabea Lurke; as well as an in-depth interview between Conrad and exhibition curator Michael Cohen examining Conrad's life and career. The catalogue also includes a bonus DVD disc, Tony Conrad: Live at 80wse. This disc includes live performances of Conrad's classic minimalist works "Chant" and "Early Minimalism: May 1965," as well as a lengthy video conversation with Conrad as he walks through his old haunts in the Lower East Side. This volume is a distillation, documentation and expansion of the acclaimed exhibition and series of concerts and educational lectures of the same name which was held at NYU's 80WSE Gallery in 2012.
PUBLISHER 80WSE Press
BOOK FORMAT Paperback, 11 x 9.5 in. / 80 pgs / 69 color / 12 bw / 12 duotone / DVD (NTSC).
PUBLISHING STATUS Pub Date 7/31/2014 Out of stock indefinitely
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2014 p. 177
PRODUCT DETAILS ISBN 9781938922596FLAT40 List Price: $25.00 CDN $34.50 GBP £22.00
Published by Greene Naftali/Galerie Daniel Buchholz. Edited by Christopher Müller, Jay Sanders. Text by Diedrich Diederichsen, Tony Conrad.
This first monograph on the legendary artist, filmmaker and musician Tony Conrad documents his seminal Yellow Movie project of the early 1970s. Published to accompany Conrad's recent one-person exhibition at New York's Greene Naftali Gallery and Galerie Bucholz, Cologne, it includes an introductory note by Conrad, a new text by Diedrich Diederichsen and comprehensive documentation of all the Yellow Movies still in existence. Art in America's David Coggins described the project in 2007: "Yellow Movies, a series of works from the early 1970s by pioneering filmmaker Tony Conrad, initially appears to be nothing more than white squares enclosed by black borders painted on large sheets of paper. Yet these casual paintings, roughly the size of old home-movie screens, are formed by latex house paint that slowly yellows over time, creating what are essentially unhurried photographic exposures. Conrad sought to make abstract films that would last a lifetime, and there's a discreet thrill to knowing that what you're seeing is changing, invisibly, before your eyes."
PUBLISHER Greene Naftali/Galerie Daniel Buchholz
BOOK FORMAT Paperback, 7 x 10 in. / 76 pgs / 45 col / 7 bw.
PUBLISHING STATUS Pub Date 7/30/2009 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2009 p. 96
PRODUCT DETAILS ISBN 9783000244322TRADE List Price: $35.00 CDN $40.00