Published by Ridinghouse/Thomas Dane Gallery. Edited with text by Gavin Delahunty. Introduction by Sylvain Bellenger. Text by Catherine Foulkrod, Sergio Risaliti.
The expressive, vividly chromatic paintings of British artist Cecily Brown (born 1969) straddle abstraction and figuration. Brown is famed for referencing both the giants of Western painting and facets of popular culture, wrestling each from their assigned contexts. This volume provides an in-depth look at one of her most conceptually rich paintings yet. The titular work, The Triumph of Death, is colossal, spanning multiple panels, and conveys the figure of Death riding roughshod over a town and its residents. Inspired by a 1446 fresco housed in the Palazzo Abatellis in Palermo, Italy, Brown’s momentous piece testifies to her ongoing fascination with death. With an introduction by Sylvain Bellenger and newly commissioned texts—as well as a set of related, previously unseen drawings—the book offers comprehensive analysis on this extraordinary work.
Published by Louisiana Museum of Modern Art. Edited by Lærke Rydal Jørgensen, Anders Kold. Foreword by Poul Erik Tøjner. Text by Terry R. Myers, Hilton Als, Anders Kold.
The British painter Cecily Brown (born 1969), based in New York since the 1990s, is one of the central figures internationally in the resurgence of painting since the turn of the century. Combining abstraction and figuration, she creates vivid, atmospheric depictions of fragmented bodies, often in erotic positions in the midst of swells of color and movement. Brown pays tribute to the potential of painting for seduction, and draws on references ranging from pornography to elements from the visual worlds of Bosch, Goya and Hogarth, and most recently motifs from the human disasters of our own time. Having also been compared to painters like Bacon and de Kooning, Brown’s work offers a female artist’s gaze at a world dominated by male artists. This catalog is published for an exhibition at the Louisiana Museum of Modern Art in Denmark, comprising paintings as well as drawings and monotypes from the past 20 years.
As a university art gallery with a collection that spans 1500 years, the past holds a very physical presence and is a constant companion in all of our work. Our commitment to the best in artistic practice of the current moment, alongside our academic investigation and curatorial exploration of the objects of the past, enables a dynamic and critical relationship to exist between the two.
These extraordinary works by Cecily Brown, of wrecked ships, frantic and prone bodies, carefully illuminate the tensions between the past and the present. Taking inspiration from Delacroix’s shipwreck paintings, as well as one of the most feted paintings in the world; Géricault’s, The Raft of the Medusa, 1818–19.
Of course, these drawings also push to the forefront of our minds the images we see everyday on our screens, of shipwrecked refugees attempting, and failing, to make their own sea voyages. At this moment it seems more important than ever for galleries to show work that draws our attention to images and stories that we think we know so well and need not or cannot, look at or think of again.
This would be impossible without the work of artists such as Cecily and we would like to thank her for her generosity in loaning her drawings to the Whitworth and for her productive, artistic insight that will have such an e ect on our visitors. Exhibitions such as these are always the result of connections, conversations and friendships and we are indebted rstly to Thomas Dane for bringing these works to our attention and his support for the exhibition. Our heartfelt thanks are also due to Karsten Schubert, and all at Ridinghouse for this wonderful book.
Published by The Drawing Center. Text by Claire Gilman, David Salle.
For the past ten years, British painter Cecily Brown (born 1969) has been turning heads with her voluptuous, quasi-abstract canvases. All the while, she has been making drawings, study upon study of motifs taken from a wide range of sources, including drawings by the 18th-century master William Hogarth, pages of animals from 19th-century encyclopedias and the cover of Jimi Hendrix’s 1968 album Electric Ladyland. Cecily Brown: Rehearsal is the first book devoted to the artist’s drawings. The volume features approximately 75 drawings, many of which are being published for the first time. Arranged thematically, the book leads readers through Brown’s repeated motifs.
PUBLISHER The Drawing Center
BOOK FORMAT Paperback, 6 x 9 in. / 144 pgs / 75 color.
PUBLISHING STATUS Pub Date 11/22/2016 Out of stock indefinitely
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2016 p. 109
PRODUCT DETAILS ISBN 9780942324990TRADE List Price: $30.00 CDN $40.00 GBP £27.00
Published by Silvana Editoriale. Edited by Danilo Eccher. Text by Danilo Eccher, Alessandro Rabottini, Anna Musini.
New York–based British painter Cecily Brown (born 1969) makes sumptuous oil paintings combining abstract and figurative elements, art-historical references and erotic, fragmented bodies in compositions so densely layered that one of Brown's paintings can look "like an enormous colored anthill, with thousands of insects following each other, climbing over each other, hiding and reappearing, leaving colorful traces of their movements," as Danilo Eccher writes in his catalogue essay. This substantial monograph is published to accompany Brown's survey exhibition at the Galleria Civica d'Arte Moderna e Contemporanea in Turin, and features nearly 50 works, including paintings, works on paper, gouache and watercolors as well as seven monotypes, representing the range of Brown's work as well as its unifying concerns. Also included are newly commissioned essays by Danilo Eccher, Alessandro Rabottini and Anna Musini.
PUBLISHER Silvana Editoriale
BOOK FORMAT Hardcover, 9 x 11 in. / 200 pgs / 150 color.
PUBLISHING STATUS Pub Date 6/23/2015 Out of stock indefinitely
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2015 p. 133
PRODUCT DETAILS ISBN 9788836630059TRADE List Price: $55.00 CDN $72.50
Like nature, only better. Nature with all the awkward bits smoothed out. And then picturesque, like a landscape painting, states Jim Lewis' protagonist, defining an English garden in Cecily Brown's newest book of paintings. An imaginative pas de deux, The English Garden sees British painter Brown (born 1969) and American writer Lewis (born 1963) contribute acutely detailed and darkly sensuous allusions to the traditional 18th-century English landscape garden. Thirty-nine of Brown's paintings are interspersed throughout this compact hardcover publication as tipped-in images. The largely abstract works, with glimpses of figurative elements, are a dichotomy of warm and subdued strokes of color, each containing an expansive landscape unto itself. Novelist and critic Jim Lewis' story transports the reader to the English countryside and investigates the seductive pull of the natural world in tandem with Brown's paintings. Combining two major voices in contemporary literature and painting, this volume is a truly gorgeous production.
PUBLISHER Karma, New York
BOOK FORMAT Hardcover, 6.25 x 6.75 in. / 72 pgs / illustrated throughout.
PUBLISHING STATUS Pub Date 7/28/2015 Out of stock indefinitely
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2015 p. 128
PRODUCT DETAILS ISBN 9781942607038TRADE List Price: $35.00 CDN $47.50 GBP £30.00
Published by Des Moines Art Center. Introduction by Jeff Fleming. Edited by Ellen Feldman. Text by Jeff Fleming, Linda Nochlin, Linda Norden.
Known for her lush surfaces, vivid color, and energetic brushwork, Cecily Brown inhabits her torrid, atmospheric paintings with life forms that swim amongst swells of color and gesture. Often cast in sensual situations, her figures advance and recede into painterly abstraction. With her various references to art history-- from the seventeenth-century French Classicism of Nicolas Poussin to the Baroque flamboyance of Peter Paul Rubens and the living gestures of Willem de Kooning, among other Abstract Expressionists--Brown reinvigorates twenty-first-century painting. Working alongside the traditions of the medium, and borrowing freely from them, Brown absorbs formerly male-dominated approaches to painting, unapologetically infusing a feminine viewpoint. This publication, which accompanies the first one-person museum survey of Brown's work in the United States, features three major new essays by Jeff Fleming, Linda Norden and Linda Nochlin, as well as a series of key color reproductions.
PUBLISHER Des Moines Art Center
BOOK FORMAT Paperback, 8 x 10 in. / 80 pgs / 19 color.
PUBLISHING STATUS Pub Date 3/1/2007 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2007 p. 140
PRODUCT DETAILS ISBN 9781879003446TRADE List Price: $25.00 CDN $30.00