onthisisland is the newest series by American artist Jack Pierson (born 1960), consisting of small watercolors, graphite works on paper and driftwood assemblages. Pierson applies the Surrealist technique of automatic drawing to paint, allowing his subconscious to guide his brush. Limited quantity available.
PUBLISHER Cheim & Read
BOOK FORMAT Hardcover, 8.5 x 10.75 in. / 254 pgs / 198 color / 1 bw.
PUBLISHING STATUS Pub Date 1/26/2016 Active
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2016 p. 183
PRODUCT DETAILS ISBN 9780991468188FLAT40 List Price: $60.00 CDN $79.00 GBP £53.00
AVAILABILITY In stock
in stock $60.00
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
Published by Guggenheim Museum Publications. Essays by Michael Archer, Jan Avgikos, Daniel Birnbaum, Ina Blom, Stefano Boeri, Francesco Bonami, Nicolas Bourriaud, Xavier Douroux, Patricia Falguieres, Heike Föll, Hal Foster, Massimiliano Gioni, Michael Govan, Dorothea von Hantelmann, Jens Hoffman, Chrissie Iles, Branden Joseph, Emily King, Christy Lange, Maria Lind, Tom Morton, Molly Nesbit, Hans Ulrich Obrist, Beatrix Ruf, Stephan Schmidt-Wulffen, Barbara Steiner, Rachael Thomas, Eric Troncy, Giorgio Verzotti, Thomas Wulffen, Olivier Zahm
During the 1990s a number of artists claimed the exhibition as their medium. Working independently or in various collaborative constellations, they eschewed the individual object in favor of the exhibition environment as a dynamic arena, ever expanding its physical and temporal parameters. For these artists an exhibition can comprise a film, a novel, a shared meal, a social space, a performance or a journey. Their work engages directly with the vicissitudes of everyday life, offering subtle moments of transformation. This catalogue, which accompanies a major exhibition at the Solomon R. Guggenheim Museum, New York, is the first in the U.S. to examine the dynamic interchange among a core group of these artists--Angela Bulloch, Maurizio Cattelan, Liam Gillick, Dominique Gonzalez-Foerster, Douglas Gordon, Carsten Höller, Pierre Huyghe, Jorge Pardo, Philippe Parreno and Rirkrit Tiravanija--a many-sided conversation that helped shape the cultural landscape of the 1990s and beyond.
Published by Parkett. Essays by Daniel Birnbaum, Jan Avgikos, Dan Cameron, Rudi Fuchs, James Rondeau, Jens Hoffmann, Daniel Pinchbeck and Paul Bonaventura, et al.
Presenting unparalleled investigations and discussions of important international contemporary artists by esteemed writers and critics for 20 years, Parkett's investigations continue in issue No. 68, which features collaborations by German painter Franz Ackermann, Finnish artist and filmmaker Eija-Liisa Ahtila, and American Conceptual artist Dan Graham. Studies in the multiple perspectives of several simultaneous vantage points mark the pages of this volume. Authors include Joshua Decter, Douglas Fogle, and Raimar Stange on Ackermann; Gertrud Koch and Taru Elfving on Ahtila, with a conversation between Chrissie Iles and Ahtila; Marie-Paule MacDonald, Nicolas Guagnini & Karin Schneider, and Massimiliano di Bartolomeo on Graham, and an interview with Graham by Carmen Rosenberg-Miller. Also in this issue: Gregor Jansen on Dirk Skreber, Jens Hoffmann on Tino Sehgal, Bernard Frize interviewed by Hans Ulrich Obrist, and an insert by Jonathan Monk. For Parkett No. 69, the featured collaboration artists are Belgian Conceptual artist Francis Alÿs, German sculptor and mixed-media artist Isa Genzken, and the Indian-born, London-based sculptor Anish Kapoor. Authors include Saul Anton, Robert Storr, and Kitty Scott on Als; Pamela Lee and Jörg Heiser on Genzken, and an interview with Genzken by Michael Krajewski; and Norman Bryson, Marina Warner, and Kurt Forster on Kapoor. Other features include Philip Kaiser on Amelie von Wulffen, Stuart Comer on Swetlana Heger, and a special Parkett Inquiry on consensus in contemporary art world entitled, “The Economy of Attention.” The twentieth-anniversary issue, Parkett No. 70, will be published in summer 2004, with special collaborations and projects to be announced.
Published by Richter Verlag. Essays by Jan Avgikos, Lynne Cooke, Alexander Kluge, Gertrud Sandqvist, Susan Steward,
Thomas Schütte's works are almost always proposals, and are consequently almost always in the form of models. At the core of this system of presentation lies hypothesis and speculation, moralism and romanticism, melancholy and black humor. Through early architectural installations and small-scale modeled figures and proposals for monuments, through extensive series of watercolors, banners, flags and photographs, Schutte takes a skeptical look at the world. This new monograph explores in detail the vast scope and extraordinary inventiveness of Schutte's work by documenting his tripartite exhibition at the Dia Center for the Arts, New York. "Scenewright" focuses on issues relating to sceneography and theater; "Gloria in Memoria" explores memorials, monuments and antiheroes; and "In Media Res" presents recent ceramics and a related series of monumental steel sculptures.
Published by Walther König, Köln. Essays by Jan Avgikos and Achim Hochdàrfer.
For use in his installations The Impetuous Process, My Special Purpose, and The Liver Pool, artist Jason Rhoades developed a material called PeaRoeFoam, made of light green dried peas, bright red salmon roe and small white styrofoam balls. Witness what Rhoades calls the “cliché of inventing a media.”
PUBLISHER Walther König, Köln
BOOK FORMAT Slipcased, 7 x 9.5 in. / 112 pgs / illustrated throughout.
PUBLISHING STATUS Pub Date 8/2/2003 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2004
PRODUCT DETAILS ISBN 9783883756097SDNR30 List Price: $30.00 CDN $35.00
Published by Ludion. Edited by Lynne Cooke, Tommy Simoens. Text by Nicholas Cullinan, Jan Avgikos, Jenevive Nykolak, Nicholas Serota, Donna Wingate.
Belgian painter Luc Tuymans (born 1958), one of the key figures in the 1990s revival of figurative painting, is also one of contemporary art’s great history painters, tackling historical traumas and their representations in a restrained—though resolutely painterly—style and pale, muted palette. Far from accepting painting as obsolete or inadequate, throughout his career Tuymans has used painting to engage with the most painful, urgent subjects of the past and present, from the aftermath of the Second World War and Belgium’s colonial past to the War on Terror. "I still indulge in the perversity of painting," said Tuymans, "which remains interesting." Luc Tuymans: Intolerance, published to accompany a major retrospective at the Qatar Museums in Doha (the artist’s first show in the Gulf region), surveys Tuymans’ work from the past 25 years. Comprehensive and richly illustrated, it contains more than 800 reproductions: studies, archival material and installation photographs, as well as 60 drawings and 100 paintings (including Tuymans’ new body of work, The Arena, created for the exhibition). Also included are texts by Jan Avgikos, Nicholas Cullinan, Jenevive Nykolak, Nicholas Serota and exhibition curator Lynne Cooke, offering new insights into Tuymans’ oeuvre from the past three decades.
BOOK FORMAT Hardcover, 9.5 x 11.5 in. / 464 pgs / 300 color.
PUBLISHING STATUS Pub Date 1/26/2016 Active
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2016 p. 121
PRODUCT DETAILS ISBN 9789491819353TRADE List Price: $85.00 CDN $112.50
AVAILABILITY Out of stock
STATUS: Out of stock
Temporarily out of stock pending additional inventory.